If the tragic interpretation of experience is still so current, despite its disastrous ethical consequences, it is because it shapes our subjectivity. Instead of contradicting the ideals of autonomy and freedom, a modern subjectivity based on self-victimization in effect enables them. By embracing subjection to an alienating other (the Law, Power) the autonomous subject protects its sameness from the disruption of real people. Seductions of Fate stages a dialogue between this tragic agent of political emancipation and the unconditional ethical demands it seeks to evade.

As editor of the quarterly Salmagundi for the past fifty years, Robert Boyers has been on the cutting edge of developments in politics, culture, and the arts. Reflecting on his collaborations and quarrels with some of the twentieth century's most transformative writers, artists, and thinkers, Boyers writes a wholly original intellectual memoir that rigorously confronts selected aspects of contemporary society. Organizing his chapters around specific ideas, Boyers anatomizes the process by which they fall in and out of fashion and often confuse those who most ardently embrace them. In provocative encounters with authority, fidelity, "the other," pleasure, and a wide range of other topics, Boyers tells colorful stories about his own life and, in the process, studies the fate of ideas in a society committed to change and ill equipped to assess the losses entailed in modernity. Among the writers who appear in these pages are Susan Sontag and V. S. Naipaul, Jamaica Kincaid and J. M. Coetzee, as well as figures drawn from all walks of life, including unfaithful husbands, psychoanalysts, terrorists, and besotted beauty lovers.

Stone Cold Seduction by Jess Macallan "Elle. It's just Elle." When a regular night of Robin Hood-ery results in the manifestation of some, um, unusual paranormal abilities, perfume-maker Elleodora Fredricks realizes the normal world she lives in isn't quite... normal. And neither is she, thanks to her father, king of the shadow elves. Not only is he evil incarnate and the reason Elle moonlights as a burglar—someone has to take care of all his victims—he's stolen her memories. And only reading her fate can fix that. Good thing she's got a trio of hotties willing to help her find said fate. Saving her oracle BFF's fiancée, falling in love with the gargoyle, and making up for breaking the phoenix's heart ought to be a piece of cake for the princess of the shadow elves. If only the king didn't want his daughter dead...

She holds the fate of the world in the palm of her hand. Arlana Von Fordin grew up knowing she was born to fulfill a prophecy. The pressure of her unknown destiny weighs heavily on a young woman who just wants to be normal. Then her future arrives in the form of a mysterious and sexy soldier from the neighboring empire Browan—a land no one has entered in almost two hundred years. Faced with a dangerous journey into a secretive country, haunted by seductive and terrifying dreams, the one thing Arlana longs for is someone to see her for the woman she is beneath the magic she commands. He has to protect her, whether he likes it or not. Lord Commander Oric of Browan has resented Arlana Von Fordin for most of his life. He blames her for taking away his choices and forcing him onto a path he never wanted. When he’s sent to bring her into his country on a quest to stabilize a rogue magic, he expects his hate to intensify. Instead, as he gets to know the shy sorceress, he’s overwhelmed with protectiveness and desire. Faced with all the forces threatening her, Oric must finally come to terms with his own destiny, and a love he never anticipated. Love is their only hope. Before meeting Oric, Arlana never expected to find a man who would love her for herself. But Fate demands a heavy price. For them to be together, they must confront Arlana’s destiny and right an ancient wrong. With time itself their enemy, they’ll have to discover if their love is strong enough to keep them alive…and save the world.

A vivid and provocative literary criticism of famous women writers from Virginia Woolf to Zelda Fitzgerald by a “gifted miniaturist biographer” (Joyce Carol Oates) The novelist and essayist Elizabeth Hardwick is one of contemporary America’s most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits—of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle—as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer’s reckoning with the relations between men and women, women and writing, writing and life.

As chaos looms, a warrior queen is reborn Bookish academic Diana Laughton has been having terrible dreams. Dreams of battle, dreams of blood… dreams so vivid she's living them day and night. When demons invade her quiet life, she wonders if she’s going mad. Or if perhaps she's remembering a past life she had no idea existed… In the midst of betrayal, he must protect her Mythean Guardian Cadan Trinovante loved and betrayed Britain's warrior queen Boudica two millennia ago. Now he’s tasked with protecting mortals whose lives affect the fate of humanity. His latest assignment is Boudica herself, reincarnated as a woman with no idea of her past or her fated future. Though in the irresistible form of Diana Laughton, it's possible Cadan has once again met his match… To succumb to seduction could prove fatal Thrown together in a shadowy world that exists alongside our own, Diana and Cadan must fight not only the demonic forces that want Diana dead, but a past and a passion that have lasted centuries. Their desire could be deadly. But as evil from the underworld unites against them, their only hope could be each other.

From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.