Do you see average looking guys getting stunning girls and wonder how they do it? Do you wish you had the confidence to approach that hot girl in the supermarket? Do you wish you knew exactly what to say that would have her eating out of your hand? In The Seduction Enigma, a world-renowned persuasion expert known simply as 'Seventy Seven' shows you the secrets to attracting super hot women, easier than you ever dreamed possible. You will discover the most common mistakes the other guys make and how you can say exactly the right thing at the right time. Find out the secrets to approaching beautiful women in everyday locations such as supermarkets, bars and shops. How you can quickly and easily create instant trust and attraction within 10 seconds of meeting. Whether you are looking for that one perfect woman, your soul mate or you are hoping to experience a multitude of exciting and beautiful women, this book with change your life forever.

Jann Matlock's study of prostitution, hysteria, and the novel in nineteenth-century France considers, for the first time, the three topics together with their links to constructions of female marginality and desire. Made increasingly accessible to a large public by inexpensive printing methods, new forms of circulation like the roman-feuilleton, and rising literacy rates among women and workers, the novel became the medium for exchanges over women's bodies and desires. Matlock reveals the coincident traffic of the novel in the subjects of women on the fringe of society - prostitutes, hysterics, and madwomen- and the invitations extended to its new readers to explore new worlds of sexuality and intrigue. In addition, Matlock examines debates on the tolerance of prostitution, sexual continence, the relationship between female sexuality and madness, and the "dangers" of literature by incorporating into her study material from a myriad of archives, including medical case studies, police reports, newspaper editorials, and memoirs. Against this rich background, she discusses the novels of Balzac, Dumas fils, Sand, Soulié, and Sue, many of which were directed at a female audience.

Primal Philosophy: Rousseau with Laplanche presents the first comprehensive study of Rousseau’s thought on the possibility of philosophy and the responsibility of the philosopher. Through a close reading of texts from throughout Rousseau’s entire corpus, together with inspiration from Jean Laplanche’s seminal work on the Freudian theory of seduction, this book positions Rousseau within a contemporary debate involving Theodor Adorno and Alain Badiou on the fate of philosophy after Heidegger. In confrontation with the radical subordination of ethics to ontology, which is characteristic of Cartesian thought and its culmination in Heidegger’s philosophical legacy, the reading of Rousseau with Laplanche elaborates the rootedness of philosophy in a process of primal seduction, which opens a way to rethink the meaning of a genuine first philosophy, not as the study of being qua being in the tradition initiated by Aristotle, but as primal philosophy, the study of the genesis of philosophy itself. The rootedness of philosophy in a process of primal seduction then reveals the primal responsibility of the philosopher—a responsibility for human happiness found in the possibility of philosophy itself.

Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.

Since the death of Jacques Lacan, Jean Laplanche is now considered to be one of the worlds foremost psychoanalytic thinkers. In spite of the influence of his work over the last thirty years, remarkably little has been available in English. Essays On Otherness presents for the first time in English many of Laplanche's key essays and is the first book to provide an overview of his thinking. It offers an introduction to many of the key themes that characterise his work: seduction, persecution, revelation, masochism, transference and mourning. Such themes have been increasingly both in psychoanalytic thought and in continental philosophy, social and cultural theory, and literature making Essays On Otherness indispensable reading for all those concerned with the implications of psychoanalytic theory today.

Since his first publications in the late 1950s, Leo Bersani's work has influenced numerous scholarly fields, from studies of French modernism and realist fiction to psychoanalytic criticism and film theory. It has occasionally helped precipitate the emergence of new disciplinary fields, such as queer theory in the late 1980s. The Essentialist Villain is the first book-length study of this impressively rich oeuvre. Mikko Tuhkanen tracks the unfolding of Bersani's onto-ethics/aesthetics, paying particular attention to his persistent references to "essence," a concept central to classical speculative philosophy, which has fallen into distinct disfavor since the emergence of deconstructive thought. Because of his early influences—particularly Gilles Deleuze's philosophy—Bersani remains an ontologist through decades when deconstruction seems to have all but disallowed any thought of being. Tuhkanen also locates Bersani's thought amidst numerous literary, artistic, and philosophical interlocutors, including Deleuze, Freud, Proust, Laplanche, Beckett, Baudelaire, Genet, Leibniz, and others.

In a career spanning more than five decades the distinguished French psychoanalyst Jean Laplanche (1924-2012) elaborated a distinctive methodology for the reading of Freud's corpus and evolved, in connection with it, a radical new metapsychology - one that critically recast Freud's early 'seduction' theory of trauma and placed at the heart of psychic life a particular model of 'enigmatic signification.' Seductions and Enigmas is a volume dedicated to the implications of Laplanche's thought for reading and interpretation. It collects papers that elaborate Laplanche's unique method for the interpretation of Freud, with its attention to the decentering and recentering movements of thought that structure the psychoanalytic field, and explore how the metapsychological developments arising from the implementation of that method open up new horizons for the psychoanalytic reading of other texts and oeuvres in the cultural domain. The volume comprises essays by Laplanche as well as by clinicians and scholars whose work takes inspiration from his research. Authors variously establish, develop or consolidate Laplanche's critical methodology as such, or work through aspects of his major theoretical innovations as points of departure for the reading of cultural works of different kinds: fiction, drama, painting, visual and sound installations, and film. These theoretical innovations cover a breadth of topics including seduction, sublimation, gender, femininity, the functions of binding and unbinding, masochism and the role of the enigmatic. In their range, the texts brought together here are a testament to the vitality and fertility of Laplanche's theoretical endeavour, for anyone concerned with the re-reading of Freud or with continuing to recalibrate and advance the parameters of critical interpretation in light of Freud's legacy.