The direct descendant of the General's Estate died for no reason. When she opened her eyes, she was reborn into the body of the village girl, Chu Fang'er, who shared the same surname and surname. Faced with the four walls of the mansion, there were not even two acres of land, which was cleaner than one's face. With a large family to support, Chu Fang'er had no choice but to roll up her sleeves and start earning money to support her family. He had wanted to save up enough money to return to the capital, but who would have thought that his savior would confess to him? "Is this savior a general?" "My wife, we should repay the debt of saving your life with our bodies ..." "Scram!" Believe your evil! " Chu Fang'er glared at him and kicked him off the bed with her hands on his waist.

Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.

I am Meredith Gentry, P.I. and Princess Merry, heir to the throne of Fairie. Now there are those among me who whisper I am more. They fear me even as they protect me. And who can blame them? I’ve awakened the dazzling magic that’s slumbered in them for thousands of years. But the thing is, I can’t figure out why. My aunt, the Queen of Air and Darkness, is no longer distracted by her usual sadistic hobbies. Her obsession has turned unwaveringly to me. The mission to get me pregnant and beat my cousin Prince Cel to the crown is taking longer than expected. Even though I spend each night with the Queen’s Ravens, my immortal guards, no child has come of our decadent pleasures. But something else is happening. My magic courses through me uncontrollably. And as I lock my half-mortal body with their full-Sidhe blooded ones, the power surges like never before. It all began with the chalice. I dreamed of it, and it appeared, cool and hard, beside me when I awoke. My guards know the ancient relic well—its disappearance ages ago stripped them of their vital powers. But it is here with us now. My touch resonates with its force, and they’re consumed with it, their Sidhe essences lit up by it. But even as they cherish me for this unexpected gift, there are those who loathe me for it. Me, a mongrel, only half fey and part mortal. The Unseelie court has suffered for so long, and there are some who would not have it weakened further by an impure queen. My enemies grow in number every day. But they do not know what I am capable of. Nor, for that matter, do I. . . . In Seduced by Moonlight, Laurell K. Hamilton brings the dark, erotic reign of the immortal fey to a startling new depth. Full of sensuality and the consuming anticipation of latent powers unleashed, this world of gods, shapeshifters, and immortal souls is unveiled in all of its supreme magnificence and its treacherous deceits.

In this all-new novel from the author of After Hours and Unbound, a woman with a rocky past finds romance in the last place she’d ever expect... Annie Goodhouse doesn’t need to be warned about bad boys; good sense and an abusive ex have given her plenty of reasons to play it safe. But when she steps into her new role as outreach librarian for Cousins Correctional Facility, no amount of good sense can keep her mind—or eyes—off inmate Eric Collier. Eric doesn’t claim to be innocent of the crime that landed him in prison. In fact, he’d do it again if that’s what it took to keep his family safe. Loyalty and force are what he knows. But meeting Annie makes him want to know more. When Eric begins courting Annie through letters, they embark on a reckless, secret romance—a forbidden fantasy that neither imagines could ever be real…until early parole for Eric changes everything, and forces them both to face a past they can’t forget, and a desire they can’t deny. Praise for Cara McKenna and her novels “Cara McKenna is my go-to author for gritty, hot love stories full of honest emotion.”—Victoria Dahl, USA Today bestselling author “McKenna writes dark, lush, erotic romance.”—Heroes and Heartbreakers “Sweet, smoking hot, standout erotic romance.”—Beth Kery, New York Times bestselling author Before becoming a purveyor of smart erotic romance, Cara McKenna worked as a lousy barista, a decent designer, and an over-enthusiastic penguin handler. She loves writing sexy, character-driven stories about strong-willed men and women who keep each other on their toes…and bring one another to their knees. Cara now writes full-time and lives north of Boston with her bearded husband. When she’s not trapped in her own head, she can usually be found in the kitchen, the coffee shop, or jogging around the nearest duck-filled pond.

The virgin and the billionaire... Just because Jess Lockhart is a virgin in her late twenties doesn’t mean she isn’t interested in men. In fact, far from it: she fantasies about finding the perfect man who can fulfil her every desire. Her new boss, handsome billionaire Ellis McKenna, seems perfect for the job. It is clear he is as attracted to her, as she is to him. However, a tragic past has left Ellis vowing to never do ‘serious’ relationships again. Having allowed herself to be seduced by a billionaire can Jess teach him about love? If you like Fifty Shades of Grey you’ll love this!

The CIA is on edge. All signs indicate that something is coming at the United States. Perhaps another 9/11, maybe bigger. The body of CIA agent Louis Updegraf ends up on the steps of the US Embassy in Mexico. His last operation was to tap into the communications of the Chinese Embassy, but there is no record of why. He appeared to be freelancing and the Agency must scramble to get a clue as to what he was after. Kirk McGarvey, serving as a visiting professor at the University of Florida, is once again longing for the action of the field. So when his old friend Otto Rencke asks him to help figure out the connection between China and the murdered agent, it takes almost no effort to get McGarvey up and running. The only informant they can find is an enigmatic Iranian belly dancer—the dark and lovely Shahrzad Shadmand. But her story changes with the wind, and her knowledge of McGarvey's past is uncanny. Kirk McGarvey must unravel her shattered mind to get to something that might resemble the truth. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.