Sociological research on Indian families has largely focused on questions of household form and structure, to the exclusion of not only the more nebulous dimensions of family life and relationships but also the discursive and imagined aspects of our familial worlds such as may be accessed through an analysis of film, literature and the electronic media. Moreover, when sociological inquiry has sought to go beyond the demographic and census aspects of the household, it has trained its eye on the heterosexual family centred on the conjugal couple, frequently at the expense of those relational patterns and diversities that fall outside the familiar circuits of desire within the family. The present volume brings together ten essays from a range of disciplines including law, literature, anthropology, sociology, and queer studies, to engage with hitherto neglected and emergent aspects of Indian family life. This book was published as a special issue of South Asia: Journal of South Asian Studies.

Within the social, political, and economic contexts existing in modern-day India, family is neither a simple remnant of tradition nor a domain merely representing insulated private lives. Rather, it is implicated in malleable yet overpowering structures, relationships, and practices. If the 'family' is a crucial site of ideological and imaginative investments playing a critical role in reproducing and defining contemporary selves and societies, 'families' are responsive to and constrained by the complex dynamics in which they are enmeshed. Family relationships remain fundamental to survival and security even as policy and legislative imperatives as well as reproductive and communication technologies play a crucial role in reshaping them. Critically interrogating the extant approaches to and concepts within the study of family, Family Studies brings together diverse contributions by scholars from varied backgrounds to focus upon issues central to the conceptualization of family and their implications for Indian society. The chapters in this volume make a strong case for why family as an ideological construct and families as a multitude of lived relationships should continue to be subjects of critical social scientific attention.

India in Translation, Translation in India seeks to explore the contours of translation of and in India-how Indian texts travel around the world in translation, how Indian texts travel across languages in the subcontinent and how texts from various languages of the world travel to India. The book poses pertinent questions like: · What influences the choice of texts and the translations, both within and outside India? · Are there different ideas of India produced through these translations? · What changes have occurred over the last two hundred odd years, from the time of colonialism and anti-colonial struggle to that of globalisation? · How does one rate the success or otherwise of a translation? · What is the role of these translations in their host languages, in their cultural and literary polysystems? The book includes eighteen essays from eminent academics and researchers who examine the numerous facets of the rich and varied translation activity. It shows how borders-both national and subnational, and generic-are created, how they are reinforced and how they are crossed. While looking at the theory, methodology and language of translation, the essays also enunciate the role of translations in political, social and cultural movements.

Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.

This edited volume explores how and why immigrant/refugee mothers’ experiences differ due to the challenges posed by the migration process, but also what commonalities underline immigrant/refugee mothers’ lived experiences. This book will add to the field of women’s studies the much-needed discussion of how immigrant and refugee mothers’ lives are dependent on cultural, environmental and socio-economic circumstances. The collection offers multiple perspectives on migrant mothering by including ethnographic and theoretical submissions along with mothers’ personal narratives and literary analyses from diverse locales: New Zealand, Japan, Canada, The United States, Turkey, Italy and the Netherlands among others. The first section of the volume focuses on mothers’ roles in the family institution and the pressures and responsibilities they face in “creating” and “reproducing” families physically and socially. The second section shifts its attention to children and highlights mothers’ continued roles in the development of their children abroad, along with the gendered/generational dynamics in the settlement process and the resultant effects on motherhood responsibilities. In all chapters, readers will find how women negotiate their traditional roles in a new sociocultural milieu, and how mothering processes are critical in creating connections with traditions and homelands.

Hinduism in the Modern World presents a new and unprecedented attempt to survey the nature, range, and significance of modern and contemporary Hinduism in South Asia and the global diaspora. Organized to reflect the direction of recent scholarly research, this volume breaks with earlier texts on this subject by seeking to overcome a misleading dichotomy between an elite, intellectualist "modern" Hinduism and the rest of what has so often been misleadingly termed "traditional" or "popular" Hinduism. Without neglecting the significance of modern reformist visions of Hinduism, this book reconceptualizes the meaning of "modern Hinduism" both by expanding its content and by situating its expression within a larger framework of history, ethnography, and contemporary critical theory. This volume equips undergraduate readers with the tools necessary to appreciate the richness and diversity of Hinduism as it has developed during the past two centuries.