Easter Sunday, 2009, was the Sunday heard ‘round the evangelical internet: NewSpring Church, the second-largest church in the Southern Baptist Convention and among the top one hundred largest churches in the US, had begun their service with the song “Highway to Hell” by hard rock band AC/DC. They had brazenly crossed the sacred/secular musical divide on the most important Sunday of the year, and commentary abounded on the value of such a step. Many were offended at the “desecration” of such a holy day, deriding Newspring as the “theater of the absurd.” Others cheered NewSpring’s engagement with “the culture” and suggested that music could be used to convert non-Christians. No mere debate over stylistic preferences, many expressed that foundational aspects of evangelical identity were at stake. While many books have been written about religious music that utilizes popular music styles (a.k.a. “contemporary Christian music”), there has yet to be a scholarly treatment of how and why popular, secular music is utilized by churches. This book addresses that lacuna by examining this emerging trend in evangelical and “emerging” churches in America. What is the motivation behind using music that seemingly has no connection to Christian theology, values, or themes—such as music by Katy Perry, AC/DC, or Van Halen—and what can we learn about post-denominational evangelical churches in America by uncovering these motives? In this book, April Stace uncovers several themes from an ethnographic study of these churches: the increasingly-porous boundary between the sacred and the secular, the importance placed on “authenticity” in contemporary American culture, how evangelicals are responding to what they perceive is an increasingly-secular society, the “turn to the subject” of contemporary culture, the desire to leave a space for expression of doubt in the worship service without fully authorizing that doubt, and the individualization of the construction of religious identity in the modern era.

The Sacred Secular examines cultural spaces where people are experiencing something sacred. These places are not in the church. They’re in yoga studios, neighborhood potlucks, and TED Talks. Dottie Escobedo-Frank and Rob Rynders see lessons for the church in these spaces. They see new ways we can convey to people that the church is uniquely sacred and significant and that Jesus is for them. These glimpses into the sacred-secular will inspire creative church leaders to set aside their assumptions about what church looks like. The Sacred Secular nurtures empowerment, creativity, spiritual movement, and the courage to embody the sacredness and substance of our faith. “Many of us in the church (including clergy) feel we have more in common with the ‘spiritual but not religious’ than we have with lots of church folks these days. We are just as spiritually hungry and thirsty as ever, but we’re open to finding God in surprising places and spaces . . . including ‘secular’ ones. This beautifully written book is all about that phenomenon. I think you’re going to love it.” —Brian D. McLaren, author/speaker, brianmclaren.net “Be prepared to hear contemporary stories akin to the Apostle Peter discovering God in an ‘outsider’—Cornelius—in twenty-first–century urban America. This book is a jewel from two missional church practitioners in The United Methodist Church. It offers wisdom, vision, creativity, and humility that will mark the gospel-bearing church of the future. I highly recommend The Sacred Secular to pastors, church planters, and laity who want their congregations to know how to develop culturally connected faith communities in our rapidly changing world.” —Elaine A. Heath, Dean, Duke Divinity School, Duke University, Durham, NC

In a series of pioneering studies, this book examines the creation—and the conflict behind the creation—of sacred space in America. The essays in this volume visit places in America where economic, political, and social forces clash over the sacred and the profane, from wilderness areas in the American West to the Mall in Washington, D.C., and they investigate visions of America as sacred space at home and abroad. Here are the beginnings of a new American religious history—told as the story of the contested spaces it has inhabited. The contributors are David Chidester, Matthew Glass, Edward T. Linenthal, Colleen McDannell, Robert S. Michaelsen, Rowland A. Sherrill, and Bron Taylor.

When post-denominational evangelical and emerging churches incorporate secular music into worship services, it's more than a gimmick to attract non-Christians; its use embodies beliefs about the importance of an individual spiritual journey, the boundary between the sacred and the secular, and the importance of lament in the life of faith.

Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. This book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.

The place of religion in society has changed profoundly in the last few centuries, particularly in the West. In what will be a defining book for our time, Taylor takes up the question of what these changes mean, and what, precisely, happens when a society becomes one in which faith is only one human possibility among others.

Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic, revealing how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance [editor].