For those who wish to master the art of magical achievement, there are numerous occult aids which may be of value. Some of these tools are amulets, fetishes, charms, symbols, talismans. These are objects inscribed with a magic incantation or sign that stands for or suggests something else by reason of relationship, association, convention or accidental resemblance - a visible sign of something invisible. They are worn or carried to avert harm, ward off misfortune, protect against danger, to bring good, insure fortunate events and attract love, luck, and favorable conditions. The seals herein are only the most popular or readily available talismans. The suggestions for uses have been modernized, shortened and simplified to suit the modern user.

Selkie Bay is a place where the old legends seem very near, and eleven-year-old Cordelia believes that her secretive mother is a selkie who has returned to the sea--a belief that offers some hope as she struggles to care for her two younger sisters and help her scientist father makes ends meet in their home by the sea.

This book bridges the worlds of learned magic and village cunning, providing rare and previously unavailable material from the late eighteenth century. It comprises two parts, A Collection of Magickal Secrets and A Treatise of Mixed Cabalah, both of which contain unique and exciting magical material.

The "Shadow Tree Series" comprises a unique collection of Western Esoteric studies and practices which Jacobus G. Swart, spiritual successor to William G. Gray and co-founder of the Sangreal Sodality, has actuated and taught over a period of forty years. "The Book of Seals & Amulets" comprises a comprehensive investigation into the meaning and relevance of Celestial Alphabets, Magical Seals, Magic Squares, Divine and Angelic Names, etc., as well as their employment in Hebrew Amulets in order to benefit personal wellbeing in a most significant manner. Continuing the standards set in "The Book of Self Creation" and "The Book of Sacred Names," Jacobus Swart offers detailed instruction on the contents and construction of Hebrew Amulets. He again consulted the enormous array of relevant primary Hebrew literature, large sections of which are available to an English readership for the first time.

A comprehensive study of the use of talismans and amulets in the Western Mystery Tradition • Provides an in-depth look at the medieval and Renaissance use of amulets and talismans, including the work of Agrippa, Albertus Magnus, and Athanasius Kircher • Provides a full summary of the magical knowledge required to make an amulet or talisman, including the invocations required to activate their powers • Reviews different kinds of amulets and talismans, from ancient jewelry and magical objects to the modern rabbit’s foot or lucky horseshoe The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit’s foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher’s work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.