This warm, perceptive, and dryly humorous romance novel from the acclaimed Isla Dewar is a wonderful, richly textured story focusing on several generations of one family through a year in their lives.

A new edition with a new introduction and an additional chapter.

"In this haunting new novel, the act of forgetting is as strange and interesting as the power of remembering." —The New York Times Book Review An enjoyable read filled with memorable characters and secrets from Booker Prize winner Penelope Lively Allersmead is a big shabby Victorian suburban house. The perfect place to grow up for elegant Sandra, difficult Gina, destructive Paul, considerate Katie, clever Roger and flighty Clare. But was it? Now adults, the children return to Allersmead one by one. To their home-making mother and aloof writer father, and a house that for years has played silent witness to a family's secrets. And one devastating secret of which no one speaks . . .

For years, James Edward Phillips kept his wife and children in the dark. All through the time in the tall stone house on the corner of Howard Road, through the nights of the Blitz and the summer holidays at Brean, he let everyone think that he had never known his parents and that any brothers and sisters he night have had were lost without trace. On the few occasions when he made some reference to his early life, he spoke as though he had emerged into history at the age of six when someone in London had packed his belongings in a little wooden box and put him on a train to Bristol. When Louie's father dies, she discovers that she didn't know him at all. Suddenly people are appearing claiming to be relatives - people Louie and her sister had never heard of, people who knew their father very well indeed. What was her father's secret? How could anyone have a hidden life for decade after decade? As Louie researches the gas-lit streets of Victorian London to find out the truth about her father's family, she takes the scant facts she can gather and imagines what really happens into a story of her own. Though as she keeps asking questions, she discovers that her father was not the only one in the family with secrets to keepa What Louie creates is a vivid story of two pampered daughters fallen on hard times, of better instincts corrupted by exhaustion and petty revenge, of cold-blooded calculation, of passion, and of rending betrayals of the most bitter kind.

Through forty years—from Hollywood's golden days in World War II to the present—Faye Price would create first a career as a legendary actress, then a family, and finally she would realize her dream of becoming one of Hollywood's first woman directors. But nothing was more precious to Faye than her five children. In a changing world, a milieu where family values are constantly challenged from without and within, the Thayers would face the greatest challenges and harshest test a family can endure, to emerge stronger, bound forever by loyalty and love. It is only when Faye is gone that they can each assess how far they have come, and how important their family album is.

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.

This book offers to academic and general public readers timely reflections about our relationships to violence. Taking cues from the self-reflexivity, themes, and subject matters of Holocaust, queer, and Black studies, this large group of diverse intellectuals wrestles with questions that connect past, present and future: where do I stand in relation to violence? What is my attitude toward that adjacency? Whose story gets to be told by whom? What story do I take this image to be telling? How do I co-witness to another’s suffering? How do I honor the agency and resilience of family members or historical personages? How do past violence and injustice connect to the present? In smart, self-conscious, passionate, and often painfully beautiful prose, cultural practitioners, historians and cultural studies scholars such as Angelika Bammer, Doris Bergen, Ann Cvetkovich, Marianne Hirsch, Priscilla Layne, Mark Roseman, Leo Spitzer, Susan R. Suleiman and Viktor Witkowski explore such questions, inviting readers to do the same. By making available compelling examples of thinkers performing their own work within the cauldron of crises that came to a boil in 2020 and continued into the next year, this volume proposes strategies for moving forward with hope.