Walking one day in the woods behind her cottage in Devon, nature illustrator and blogger Jo Brown became captivated by the sight of a Green Dock Beetle on a leaf and took a photograph of it in order to be able to draw it. That first tiny emerald bug was followed by more insects, and then birds, fungi, plants and flowers. The result is Secrets of a Devon Wood, a rich illustrated memory of her discoveries in the order in which she encountered them, so that the book flows smoothly with the seasons and the emergence of different wildlife. In enchanting, minute detail she zooms in on a bog beacon mushroom, a buff-tailed bumblebee, or a native bluebell. And she notes facts about their physiology and life history: "The flowers are narrow & darker than H. hispanica & H.x. mossartiana," she writes. "Drooping stem. Almost all flowers are on one side. Sweet scent." This journal is a treat for the senses, both a hymn to the intricate beauty of the natural world and a quiet call to arms for all of us to acknowledge and preserve it. It is a book that will stay with you long after you finally put it down

A beautifully tangled story of friendship, fairy tales, and family secrets. For those who loved Pax and The War That Saved My Life. A Kirkus Best Middle Grade Book of 2017 An Amazon Best Book of 2017 A 2018 Bank Street College Best Book of the Year A Telegraph Top 50 Book of the Year Everyone is too busy to pay attention to Henrietta and the things she sees -- or thinks she sees -- in the shadows of their new home, Hope House. Mama is ill. Father has taken a job abroad. Nanny Jane is busy taking care of her younger sister. All alone, with only stories for company, Henry discovers that Hope House is full of strange secrets: a forgotten attic, ghostly figures, mysterious firelight that flickers in the trees beyond the garden. One night she ventures into the darkness of Nightingale Wood. What she finds there will change her whole world...

This beautifully illustrated personal sketchbook, new to our Courage line of lavish gift books, will be catnip for any gardener. (Previous titles featuring Mary Woodin's vibrant watercolor images have sold more than 300,000 copies.) THE PAINTED GARDEN is a collection of intimate musings, thoughtful philosophies, and touching artwork, with space for recording planting, harvesting, and blooming notes. Readers will discover useful gardening tips, an illustrated list of herbs and their uses, and advice from such well-known British gardening experts as Mary Russell Mitford, C.W. Earle, Vita Sackville-West, and Louise Beebe Wilder.

Long before GPS, Google Earth, and global transit, humans traveled vast distances using only environmental clues and simple instruments. John Huth asks what is lost when modern technology substitutes for our innate capacity to find our way. Encyclopedic in breadth, weaving together astronomy, meteorology, oceanography, and ethnography, The Lost Art of Finding Our Way puts us in the shoes, ships, and sleds of early navigators for whom paying close attention to the environment around them was, quite literally, a matter of life and death. Haunted by the fate of two young kayakers lost in a fog bank off Nantucket, Huth shows us how to navigate using natural phenomena—the way the Vikings used the sunstone to detect polarization of sunlight, and Arab traders learned to sail into the wind, and Pacific Islanders used underwater lightning and “read” waves to guide their explorations. Huth reminds us that we are all navigators capable of learning techniques ranging from the simplest to the most sophisticated skills of direction-finding. Even today, careful observation of the sun and moon, tides and ocean currents, weather and atmospheric effects can be all we need to find our way. Lavishly illustrated with nearly 200 specially prepared drawings, Huth’s compelling account of the cultures of navigation will engross readers in a narrative that is part scientific treatise, part personal travelogue, and part vivid re-creation of navigational history. Seeing through the eyes of past voyagers, we bring our own world into sharper view.

Teenage detectives Frank and Joe Hardy investigate a case of counterfeiting.

A book about farming, wildlife, culture and the personal experience of living in limestone country.

From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf, children’s stories and fables enchant us with their portrayals of animals who act like people. But the comparisons run both ways, as metaphors, stories, and images—as well as scientific theories—throughout history remind us that humans often act like animals, and that the line separating them is not as clear as we’d like to pretend. Here Martin Kemp explores a stunning range of images and ideas to demonstrate just how deeply these underappreciated links between humans and other fauna are embedded in our culture. Tracing those interconnections among art, science, and literature, Kemp leads us on a dazzling tour of Western thought, from Aristotelian physiognomy and its influence on phrenology to the Great Chain of Being and Darwinian evolution. We learn about the racist anthropology underlying a familiar Degas sculpture, see paintings of a remarkably simian Judas, and watch Mowgli, the man-child from Kipling’s The Jungle Book, exhibit the behaviors of the beasts who raised him. Like a kaleidoscope, Kemp uses these stories to refract, reconfigure, and echo the essential truth that the way we think about animals inevitably inflects how we think about people, and vice versa. Loaded with vivid illustrations and drawing on sources from Hesiod to La Fontaine, Leonardo to P. T. Barnum, The Human Animal in Western Art and Science is a fascinating, eye-opening reminder of our deep affinities with our fellow members of the animal kingdom.