Explains the fundamental principles of this tradition and describes how those principles may be applied to a much wider range of environments than exists in Japan. Includes three primary aesthetic considerations: scenic effects, sensory effects, and cultural effects.

Over the years, Japanese gardeners have fine-tuned a distinctive set of pruning techniques that coax out the essential characters of their garden trees, or niwaki. In this highly practical book, Western gardeners are encouraged to draw upon the techniques and sculpt their own garden trees to unique effect. After first discussing the principles that underpin the techniques, the author offers in-depth guidelines for shaping pines, azaleas, conifers, broadleaved evergreens, bamboos and deciduous trees. Throughout the text, step-by-step illustrations accompany the instructions, while abundant photographs and anecdotes bring the ideas surrounding niwaki vividly to life.

Islamic gardens are enchanting places. Just the names of some of the most beautiful gardens in the world - the Alhambra, the Generalife, the Shalimar - conjure up images of calm and even divine beauty. No visitor is left untouched by their magic. This new paperback edition of The Art of the Islamic Garden is an introduction to the design, symbolism and making of an Islamic Garden and it examines that magic, describes the component parts which allow a deeper understanding of the beauty. Topics covered include: history, symbolism and the Quran in relation to the traditional Islamic garden; significance of design and layout of the garden explained, geometry, hard landscaping and architectural elements and aguide to designing the garden with water, and recommendations for trees, shrubs and flowers. There is a unique account of the design and planting of HRH The Prince of Wales' Carpet Garden at Highgrove.

Mirei Shigemori had a major impact on the development of Japanese landscape architecture in the twentieth century. Active from the 1920s, he founded the Kyoto Garden Society in 1932. In 1939 he designed his own first masterpiece, the garden at the main hall of the Tôfuku-ji temple. From then on he designed 240 gardens all over Japan until his death in 1975; amongst the most famous are the Tenrai-an tea garden (1969) and the Matsuo Taisha garden (1975). The main characteristic of his gardens is that they respect tradition and, at the same time, depart from conventional paradigms by opening up to the influence of Western modernism with its own language. The first part of the book covers Shigemori’s life and factors that influenced his work. The second part contains a detailed illustration of 17 gardens. The book is published as a new and revised edition.