The secret heiress is back…with a little secret that changes everything As the long-lost heiress in a notoriously scandalous family, Meg Lathem has always kept her distance. But now her daughter needs lifesaving surgery, so Meg asks for support—either from the child's unscrupulous father, Grant Sheppard, or the dreaded Cains themselves. Grant had an agenda when he first bedded Meg—revenge against her birth father. But now, confronted by news that he's a daddy himself, Grant finds his feelings for Meg run deep. Can he convince Meg he's there for her this time, and protect her from the Cain legacy even as she claims it?

Secret Heiress, Secret Baby Secret heiress Meg Lathem's daughter needs life-saving surgery and, with no family to help her, Meg must appeal to the child's father: ruthless tycoon Grant Sheppard. Can the man who bedded Meg for revenge be persuaded to step up again... for love? Sex, Lies and the CEO One man holds the key to Darci Rivers' father's redemption: her broodingly handsome boss, CEO Shane Colborn. But, when Darci's plan leads to unforeseen passion, she must decide which is worth more to her: revenge... or Shane.

One of the most beloved novels of all time, Colleen McCullough's magnificent saga of dreams, struggles, dark passions, and forbidden love in the Australian outback has enthralled readers the world over. The Thorn Birds is a chronicle of three generations of Clearys—an indomitable clan of ranchers carving lives from a beautiful, hard land while contending with the bitterness, frailty, and secrets that penetrate their family. It is a poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit. Most of all, it is the story of the Clearys' only daughter, Meggie, and the haunted priest, Father Ralph de Bricassart—and the intense joining of two hearts and souls over a lifetime, a relationship that dangerously oversteps sacred boundaries of ethics and dogma.

James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.

Reproduction of the original: Lancashire Folk-Lore by John Harland, T.T. Wilkinson