[BookStrand Interracial Romantic Suspense, HEA] Three lives intertwine—a former Green Beret, now a painter of nude portraits tormented by the death of his comrade, an earl’s daughter, and a crazed stalker. Will the acts of the stalker force the soldier back into the life of violence which he sought to avoid? Sebastian Hughes, wounded on a mission in Afghanistan, discovers a talent for painting nude portraits while in a rehabilitation center learning to walk again after losing part of his leg. He becomes the toast of London society and women clamor to be painted by him. Lady Joanna Gresham, nursing a broken heart and used to getting what she wants, sets her sights on having her portrait painted by Sebastian. Once she meets him, she wants him for herself. She pursues him, intent on winning him. What she didn’t count on was a stalker who wants to harm everyone Sebastian holds dear. ** A BookStrand Mainstream Romance

Plague was one of the enduring facts of everyday life on the European continent, from earliest antiquity through the first decades of the eighteenth century. It represents one of the most important influences on the development of Europe’s society and culture. In order to understand the changing circumstances of the political, economic, ecclesiastical, artistic, and social history of that continent, it is important to understand epidemic disease and society’s response to it. To date, the largest portion of scholarship about plague has focused on its political, economic, demographic, and medical aspects. This interdisciplinary volume offers greater coverage of the religious and the psychological dimensions of plague and of European society’s response to it through many centuries and over a wide geographical terrain, including Byzantium. This research draws extensively upon a wealth of primary sources, both printed and painted, and includes ample bibliographical reference to the most important secondary sources, providing much new insight into how generations of Europeans responded to this dread disease.

Studies of the English gentleman have tended to focus mainly on the nineteenth century, encouraging the implicit assumption that this influential literary trope has less resonance for twentieth-century literature and culture. Christine Berberich challenges this notion by showing that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Focusing on Siegfried Sassoon, Anthony Powell, Evelyn Waugh and Kazuo Ishiguro, whose presentations of the gentlemanly ideal are analysed in their specific cultural, historical, and sociological contexts, Berberich pays particular attention to the role of nostalgia and its relationship to 'Englishness'. Though 'Englishness' and by extension the English gentleman continue to be linked to depictions of England as the green and pleasant land of imagined bygone days, Berberich counterbalances this perception by showing that the figure of the English gentleman is the medium through which these authors and many of their contemporaries critique the shifting mores of contemporary society. Twentieth-century depictions of the gentleman thus have much to tell us about rapidly changing conceptions of national, class, and gender identity.

Between the late twelfth century and the mid fourteenth, Castile saw a reordering of mental, spiritual, and physical space. Fresh ideas about sin and intercession coincided with new ways of representing the self and emerging perceptions of property as tangible. This radical shift in values or mentalités was most evident among certain social groups, including mercantile elites, affluent farmers, lower nobility, clerics, and literary figures--"middling sorts" whose outlooks and values were fast becoming normative. Drawing on such primary documents as wills, legal codes, land transactions, litigation records, chronicles, and literary works, Teofilo Ruiz documents the transformation in how medieval Castilians thought about property and family at a time when economic innovations and an emerging mercantile sensibility were eroding the traditional relation between the two. He also identifies changes in how Castilians conceived of and acted on salvation and in the ways they related to their local communities and an emerging nation-state. Ruiz interprets this reordering of mental and physical landscapes as part of what Le Goff has described as a transition "from heaven to earth," from spiritual and religious beliefs to the quasi-secular pursuits of merchants and scholars. Examining how specific groups of Castilians began to itemize the physical world, Ruiz sketches their new ideas about salvation, property, and themselves--and places this transformation within the broader history of cultural and social change in the West.

This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.

The city of Devaney is under assault. Police chief Keck asks Detective Sarah James to “quietly” investigate the circumstances surrounding an automobile accident that took the life of Mayor Clairmont. New mayor Kamen tries to force Chief Keck to change police practices to be more “citizen friendly.” An unscrupulous new drug supplier is selling fentanyl- and carfentanil-laced drugs, which is causing the deaths of Devaney young people. A crazed bar assailant with a knife has the city on edge. Detective James’s two-person department juggles the cases and tries to stay above the conflict between the chief and the mayor. Sarah’s focus is to protect Devaney’s citizens and the integrity of Devaney Police Department.