Anthology "SEASON OF ETERNAL LOVE" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world.

The word entered the English literature in the 17th century, from the Greek word "Anthologic" meaning "a collection of blossoms" or flowers. Our Anthology "SEASON OF ETERNAL LOVE" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world.

The word entered the English literature in the 17th century, from the Greek word "Anthologic" meaning "a collection of blossoms" or flowers. Our Anthology "SEASON OF ETERNAL LOVE" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world.

Our Anthology "SEASON OF ETERNAL LOVE" contains marvellous literary work of various authors across the whole Bharat. It is a compiled to give a platform to the budding writers of our great nation and help them in coming forward and present their literary work in front of the whole world.

The Highlander's Eternal Love Part 2 (The Story Continues) Laird Brodie Cameron was focused on keeping his clan safe during a time of uneasy peace. He had no time to marry, but without an heir, the Cameron clan is vulnerable. Taking things into her own hands, his sister Hilda blackmails the grandson of a powerful witch into casting a love spell, but rather than making Brodie fall in love, the spell searches for his true love...and pulls her through the constructs of time. In present day New York, Emma's life had been stale for awhile, and her cynicism only grew, but it isn't until she falls through a portal and lands in Medieval Scotland that she realizes she'd put her life on hold. She's willing to give the gorgeous Highlander a chance if it means that she'll have the future with love and family that she's always wanted. Brodie doesn't believe in the magic of love, but when he gives into his desires, the nights turn hot, and he risks losing his heart. When Emma discovers that she's pregnant, she learns that there is a way for her to go home. Will Brodie be able to put love before duty, or will he lose her, and the future she carries, forever?

An examination of ideas and ideals of medieval courtly love and the transition into later Romantic love, analyzing the work of Dante, Shakespeare, and Schopenhauer, among many others. Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the second volume, Singer studies the ideas and ideals of medieval courtly love and nineteenth-century Romantic love, as well as the transition between these two perspectives. According to the traditions of courtly love in the twelfth century and thereafter, not only God but also human beings in themselves are capable of authentic love. The pursuit of love between man and woman was seen as a splendid ideal that ennobles both the lover and the beloved. It was something more than libidinal sexuality and involved sophisticated and highly refined courtliness that emulated religious love in its ability to create a holy union between the participants. Adherents to Romantic love in later centuries, affirmed the capacity of love to effect a merging between two people who thus became one. Singer analyzes the transition from courtly to Romantic by reference to the writings of many artists beginning with Dante and ending with Richard Wagner, as well as Neoplatonist philosophers of the Italian Renaissance, Descartes, Spinoza, Rousseau, Hume, Kant, Hegel, and Schopenhauer. In relation to romanticism itself, he distinguishes between two aspects—"benign romanticism" and "Romantic pessimism"—that took on renewed importance in the twentieth century.