Julia Rothman’s best-selling illustrated Anatomy series takes a deep dive into the wonders of the sea with Ocean Anatomy. Follow Rothman’s inquisitive mind and perceptive eye along shorelines, across the open ocean, and below the waves for an artistic exploration of the watery universe. Through her drawings, discover how the world’s oceans formed, why the sea is salty, and the forces behind oceanic phenomena such as rogue waves. Colorful anatomical profiles of sea creatures from crustacean to cetacean, surveys of seafaring vessels and lighthouses, and the impact of plastic and warming water temperatures are just part of this compendium of curiosities that will entertain and educate readers of all ages. Also available in this series: Nature Anatomy, Farm Anatomy, Food Anatomy, and Nature Anatomy Notebook

2017 Amelia Bloomer List, Early Readers Nonfiction This picture book biography follows the life of Eugenie Clark, the Japanese-American scientist, researcher, and diver, who became famous as "The Shark Lady" for her groundbreaking discoveries about shark behavior. Before Eugenie Clark's groundbreaking research, most people thought sharks were vicious, blood-thirsty killers. From the first time she saw a shark in an aquarium, Japanese-American Eugenie was enthralled. Instead of frightening and ferocious eating machines, she saw sleek, graceful fish gliding through the water. After she became a scientist—an unexpected career path for a woman in the 1940s—she began taking research dives and training sharks, earning her the nickname "The Shark Lady."

This lined blank notebook by All About Me is customizable for you and your life. This notebook awaits you. Use it as a journal, to record hopes and dreams, express gratitude, to keep a bucket list, as a daily diary, for recipes, or for your To Do lists. The possibilities are endless! Perfect to use for: any kind of journaling organizing daily activities taking notes making lists recipes free-hand creativity sketching, drawling, and doodling there are as many possibilities as your imagination allows... Portable size book is 6" x 9" Soft Cover Interior Paper Style: Lined 110 White Pages (55 sheets) We hope you enjoy our uniquely designed journals and other blank books. Discover our ever-growing line of designs and interior styles by clicking on our name All About Me above.

Animal Journal: Marine Animals of the World guides readers on an exploration of the world's most fascinating marine animals, from the adorable sea lion to the majestic killer whale. Young naturalists will explore different habitats, both near and far, from the icebergs in the arctic to the depths of the Pacific Ocean. This naturalist's notebook gives budding biologists the opportunity to explore new and unfamiliar species of mammals, birds, fish, reptiles, and cephalopods they may not otherwise see in person, along with well-known and favorite marine animals. Marine Animals of the World features gorgeous and detailed illustrations that paint a realistic picture of many marine animals, and highlights the subtle differences between the subspecies. This guide to the undersea world also provides fascinating facts about each featured marine animal, including its scientific name, average size, habitat, diet, and other details. From sea turtles to bottlenose dolphins and sharks, adventure awaits as explorers travel across the globe to catch a glimpse of the world's most wondrous marine animals.

A new title in the bestselling finger puppet series! Tiny tots can enjoy swimming among the fish with Little Shark in this simple, comforting story. The book features a permanently attached plush finger puppet and peek-a-boo holes in every page, giving parents and children a fun, interactive way to play and read together.

Ralph Waldo Emerson's life from 1826 to 1832 has a classic dramatic structure, beginning with his approbation to preach in October 1826, continuing with his courtship, his brief marriage to Ellen Tucker, and his misery after her death, and concluding with his departure from the ministry. The journals and notebooks of these years are far fewer than those in the preceding six years. Emerson noted down many ideas for sermons in his journals, but as time went on he wrote the sermons independently. Occasionally he wrote openly about family matters, but except for the passionate response to Ellen and her death the journals tell little about the impact upon him of other people and outside events. The pattern is consistent with the earlier journals: Emerson used them mainly to record his thought, to develop and express his ideas. His religious and intellectual interests were undergoing significant changes in orientation or emphasis. He was less concerned with the existence of God than with the nature and influence of Christ. He continued to reassert the truth of Christianity, but in his growing unorthodoxy he came to show less and less sympathy with the church, with forms and ritual, with convention. And he began to wonder whether it is not the worst part of the man that is the minister. During these years, Emerson read more in Madame de Sta l, Wordsworth, G rando, and Coleridge, less in Milton, the Augustans, Dugald Stewart, and Scott. In style, he moved from a rambling, bookish rhetoric to the tautness and the cadences that mark his later Essays.

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow. About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens' irregularities, inconsistencies, errors, and cancellations unchanged. Clemens' cancellations are included in the text enclosed in angle brackets, thus ; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.