This is a magical story of the love between mother and child and the gifts of kindness and understanding. Dragon King and Sea-Cat both live under the sea. Sea-Cat lives with his mother who sews him fabulous jewel-encrusted suits that shimmer and capture the attention of all who see him. Dragon King, the ruler, lives a sad and lonely life as he is so ashamed of his ugliness. When he sees Sea-Cat in his beautiful suit, he is overcome with jealousy and wants the suit for himself. But Sea-Cat is clever and kind and befriends Dragon King. Sea-Cat knows his mother can turn the Dragon King's ruby tears into a most dazzling suit, just for him!

Nick Sharratt's fabulously funny d_but novel, THE CAT AND THE KING, tells the story of a gentle, unworldly King and his very clever cat, and is illustrated throughout in two colours with Nick's irresistible wit and humour. The cat and the King must find a new home after their castle burns down in an Unfortunate Incident with a dragon. They choose Number 37 Castle Close, and the cat introduces the King to all sorts of new experiences, from washing-up to shopping. Then danger looms when the pesky, fire-breathing dragon makes its return.

The outlawed princess of the Dragon Clan and her young human companion undergo fearsome trials in their quest for an evil enchantress. ‘Dramatic tension stays high. Weaves Chinese legend into an exciting tapestry of myth and folklore.’ —BL. Notable Children's Books of 1982 (ALA) 100 Favorite Paperbacks of 1989 (IRA/CBC)

With the incident in the Nation of the Beast King behind her, Ruri Morikawa returns to the Nation of the Dragon King at long last. However, now she knows the meaning behind the dragonheart pendant Jade gave to her before she left. As she struggles with her feelings, Quartz, Jade's amicable predecessor, returns to the kingdom after a long absence. As Ruri opens up to the former Dragon King, Jade leaves to track down a suspicious ship that attacked the nation—venturing into witch territory! While Jade is away, what new perils will befall Ruri? Find out as this tale of magic and spirits reaches its conclusion!

Ruri Morikawa was summoned to a different world along with her “childhood friend,” Asahi. Exiled from Nadasha, the nation that summoned her, she ends up living in the Nation of the Dragon King. Working a part-time job, attending tea parties—her life seems pretty fulfilling... That is, until Nadasha declares war with Asahi spearheading the charge. Will Ruri be able to convince the overly-dependent Asahi before it’s too late? Find out in the second installment of this magical, otherworldly tale!

“I would regard myself as a feminist writer, because I’m a feminist in everything else and one can’t compartmentalise these things in one’s life.” (Angela Carter) “When I became a feminist in 1968, I felt that I’d come home: the first home I ever had that was feminine. And it was very wild and theatrical and erotic, the early feminism.” (Michèle Roberts) Angela Carter and Michèle Roberts share a keen interest in gender and sexual identity, but many of their topics seem to mark them as opposites: Roberts’s fascination with the impact of religion, motherhood and autobiography on female identity covers areas that Carter shuns in her writings. In reading these two authors parallel and in contrast to each other, this monograph follows a triple objective: it provides a comprehensive critical introduction to the works of Roberts, explores aspects of Carter’s work that have not yet been analyzed sufficiently (religion, motherhood, and masculinity), and uses both authors to explore motifs and strategies of feminist writing. The analyses of both authors’ works are supplemented by close readings of a wide range of theoretical perspectives (especially French feminism and psychoanalysis) and concise theoretical outlines of the topics covered (radical feminism, religion, motherhood and fatherhood, masculinity, fairy tales, romances and chick lit, and history and auto/biography).