The expanded edition of the definitive, critically praised, and most beloved biography of music legend Jimi Hendrix—including previously unpublished photos. Originally published to great acclaim in 1978, ’Scuse Me While I Kiss the Sky was written by poet, scholar, and Hendrix friend David Henderson as a personal favor to Jimi. Since then, it has garnered rave reviews and sold over 500,000 copies, reaching the legions of Hendrix fans worldwide. This most thorough update on the book in ten years is filled with brand-new photographs and fresh revelations. It includes more of Jimi’s personal writing, more details about his romantic relationships and sexual encounters, and more in-depth research by the author into Jimi’s music and creative life. At once a grand adventure and a vivid record of 1960s culture and politics, ’Scuse Me While I Kiss the Sky shows Hendrix as a member of the Flower Power and the Black Power movements. With new access to old documents—once covered up by legal barriers—Henderson is now free to tell about Jimi’s opposition to the Vietnam War and his controversial support of the New York Panther 21. With his music selling off the shelves, Hendrix is a rock immortal and this is the only book to tell his whole story.

From the moment that Ike Turner and the Kings of Rhythm conceived "Rocket 88" to the suicide of Nirvana lead singer Kurt Cobain and Lennon's Anniversary concert, â??Scuse Me While I Kiss the Sky chronicles 50 moments in history that shaped the music industry as we know it. Paolo Hewitt's lively and readable text gives us a unique "insider's view" on each event explaining the background and immediate aftermath to the moment as well as its long term significance and legacy. Each story is accompanied by an "at a glance" box about each artist, their most significant achievements and contribution to rock history. Iconic moments include the day that Dylan went electric, the moment the Ramones launched punk rock, the Michael Jackson video that inspired an MTV generation, and the year that Oasis and Blur saw Brit Pop go global. The stories behind the iconic records and recordings, the untimely deaths, landmark live performances, on screen incidents and all of the most outrageous moments are recounted in this captivating, comprehensive overview of the greatest musical form of the twentieth century.

Collection of misheard lyrics of pop songs - and the correct versions.

Biography of the rock musician's life from his boyhood to his tragic life.

The urge to connect with that which transcends our experience, be it a higher power, another person or some artistic ideal or aspect of nature, is one of the things that makes us human. People view the object of this quest, as well as what it means to achieve it, differently. Yet regardless of how it is understood, the urge to participate in or belong to something greater and more lasting than ourselves—a feeling born of an awareness of our mortality—is what defines us as spiritual beings. Though often dismissed as ephemeral or, worse, demonic, popular music has given voice to this quest for transcendence since its beginnings. Pop singers are rarely as outwardly spiritual as, say, their gospel counterparts; they're forever pointing beyond themselves, though, be it to some better future, some higher ideal, or to some vision of deliverance. Fontella Bass's "Rescue Me," the Four Tops's "Reach Out (I'll Be There)," Jimmy Cliff's "Many Rivers to Cross," Afrika Bambaataa's "Looking for the Perfect Beat," and U2's "I Still Haven't Found What I'm Looking For" are but a handful of popular recordings from the past few decades that express a longing for something more. What, other than transcendence, is Jimi Hendrix talking about in "Purple Haze" when he shouts, "'scuse me, while I kiss the sky"? Or Van Morrison, in "Caravan," when he implores us to crank our radios and sail away with him into the mystic? Heard in the right light, secular and even carnal records have the power to speak to transcendental concerns, galvanizing their historical and cultural moments. Regardless of their spiritual leanings, all of the subjects discussed in this book (including Public Enemy, Madonna, Sleater-Kinney, Tricky, Johnny Cash, Nine Inch Nails, Moby, Marvin Gaye, Eminem, Polly Harvey, Bruce Springsteen and Sly & the Family Stone) make music that expresses a basic striving for transcendence. Artists' stories and personalities inform these discussions, but only in as much as they illuminate the struggles and concerns that run through their music. I'll Take You There is a beautifully written, wide-ranging and illuminating examination of some of the most potent popular music ever recorded.

Called by "Entertainment Weekly" "The best book on Hendrix", "Crosstown Traffic" rode their A-list for over two months and won the prestigious Ralph J. Gleason Music Book Award. Roots-savvy British critic Charles Shaar Murray assesses the lifework of guitarist Jimi Hendrix in the context of black musical tradition, social history, and the upheaval of the 1960s.

It didn't take long after Jimi Hendrix's death for the artist to become a myth of music. He has been surrounded by a shroud of intrigue since he first came into the public eye, and the mystery has only grown with time. Much has been written and said about him by experts and fans and critics, some of it true and some of it not; Starting at Zero will set the record straight. This is Hendrix in his own words. The lyricism and rhythm of Jimi Hendrix's writing will be of no surprise to his fans. Hendrix wrote prolifically throughout his life and he left behind a trove of scribbled-on hotel stationary, napkins and cigarette cartons. Starting at Zero weaves the scraps and bits together fluidly with interviews and lyrics revealing for the first time a continuous narrative of the artist's life, from birth through to the final four years of his life. The result is a beautifully poetic, charming and passionate memoir as smooth and memorable as Hendrix's finest songs. The pieces of Starting at Zero came together in large part because of the inspiration of Alan Douglas. Douglas first met Jimi Hendrix backstage at Woodstock, and soon after became Hendrix's producer and close friend. In creating the book he joined forces with Peter Neal, who edited Hendrix's writing with the reverence and light touch it deserved.