Woodrow Nash's sculptures of enslaved children populate the first American slavery museum--Whitney Plantation in Wallace, Louisiana. His works breathe spirit into history, a legacy as painful as it is inspiring, a vision that engages us in powerful ways. The stories he tells of his artistic process and the images of proud figures fill this unusual book with emotion. Award-winning novelist Shelley Fraser Mickle became friends with Nash and together they crafted a strong statement that illuminates the true history of slavery and the shadows it casts on all Americans. In a collection of biographies informed by historical documents, Nash and Mickle walk readers through his creation of proud statues celebrating African royalty and rough images of enslaved children still carrying the vestiges of their fierce heritage. The research that binds the images to our reality is found in ship's manifests, post-Civil War cartes de visite, and a wealth of books and articles cited in the bibliography. A brief history of sculpture provides context for the art created by Nash--sculptures that illuminate the lives of Africans before their enslavement and reveal their resilience in their new existence. Stunning photographs frame the story and beautifully capture the relationship between artist and creation in this one-of-a-kind book for young readers.

Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the significance of race for elite blacks, and illuminates recent art world developments. In doing so, Banks documents how the salience of race extends into the cultural life of even the most socioeconomically successful blacks.

Explore the busy streets of New Orleans, including the French Quarter and Bourbon Street, see where to get the best beignets and hurricanes, and find the best places to shop. Discover DK Eyewitness Travel Guide: New Orleans. • Detailed itineraries and "don't-miss" destination highlights at a glance. • Illustrated cutaway 3-D drawings of important sights. • Floor plans and guided visitor information for major museums. • Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. • Area maps marked with sights. • Detailed city maps include street finder indexes for easy navigation. • Insights into history and culture to help you understand the stories behind the sights. • Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: New Orleans truly shows you this country as no one else can. Series Overview: For more than two decades, DK Eyewitness Travel Guides have helped travelers experience the world through the history, art, architecture, and culture of their destinations. Expert travel writers and researchers provide independent editorial advice, recommendations, and reviews. With guidebooks to hundreds of places around the globe available in print and digital formats, DK Eyewitness Travel Guides show travelers how they can discover more. DK Eyewitness Travel Guides: the most maps, photographs, and illustrations of any guide.

Public History: A Textbook of Practice is a guide to the many challenges historians face while teaching, learning, and practicing public history. Historians can play a dynamic and essential role in contributing to public understanding of the past, and those who work in historic preservation, in museums and archives, in government agencies, as consultants, as oral historians, or who manage crowdsourcing projects need very specific skills. This book links theory and practice and provides students and practitioners with the tools to do public history in a wide range of settings. The text engages throughout with key issues such as public participation, digital tools and media, and the internationalization of public history. Part One focuses on public history sources, and offers an overview of the creation, collection, management, and preservation of public history materials (archives, material culture, oral materials, or digital sources). Chapters cover sites and institutions such as archival repositories and museums, historic buildings and structures, and different practices such as collection management, preservation (archives, objects, sounds, moving images, buildings, sites, and landscape), oral history, and genealogy. Part Two deals with the different ways in which public historians can produce historical narratives through different media (including exhibitions, film, writing, and digital tools). The last part explores the challenges and ethical issues that public historians will encounter when working with different communities and institutions. Either in public history methods courses or as a resource for practicing public historians, this book lays the groundwork for making meaningful connections between historical sources and popular audiences.

A picture book biography about an ordinary New York City couple and their extraordinary collection of art In the heart of Manhattan lived a librarian and a postal clerk who loved art so much that they collected it. Over the years, Dorothy and Herbert brought home hundreds of works of art—from little-known SoHo artists to luminaries such as Chuck Close and Christo and Jeanne-Claude—to their small, empty-walled apartment, much to the curiosity and delight of their eight cats and tank of fish. Their passion for art and support of artists was so impressive, Dorothy and Herbert became famous themselves. And when they gifted their extraordinary collection to the National Gallery of Art, their art became ours, inspiring new generations of artists.