"49 insightful essays ... which originally appeared on his award-winning blog 'Scribbles from the den'"--Page 4 of cover

This collection consists of 49 insightful essays by leading Cameroonian blogger Dibussi Tande, which originally appeared on his award-winning blog Scribbles from the Den. These essays tackle some of the most pressing and complex issues facing Cameroon today such as the stalled democratization process, the perennial Anglophone problem, the crisis of higher education, the absence of the rule of law, the lack of leadership renewal, a stifled collective memory, and a continued inability to harness technology for purposes of national development, among others. Scribbles from the Den goes beyond the news headlines to dispassionately analyze and unravel the complexities of Cameroonian politics and society.

Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.

Scribbles is an autobiography that shares the story about taking the broken pieces of living life with a rare muscle and nerve disease and discovering purpose in the face of what many people would dismiss as tragic. Chris Simning writes about celebrating the scribbles of his existence through exploring life's small blessings. His miraculous journey is one that interacts with his faith, which has ignited a personal revival that has caused his story to encourage hearts worldwide. This book focuses on finding peace by taking our scars of brokenness and transforming them into distinguishing marks that inspire. It's a story that chooses freedom to turn life's unfortunate circumstances into treasures, creating from the artistry of those misshapen pieces called your scribbles to live life fully.

Upon the opening of the Gallery of Modern Art in Munich, the museum director asked noted architects to sketch their personal messages on paper napkins, thus creating this colorful collection.

One day, Mama Ngonsu told her son: "Normally, a child grew up and stayed around to help his parents. The world has changed, and things are no longer as they used to be. Things must not be normal all the time, otherwise life would not be life." When Emmanuel Kwanga gets a University scholarship, he travels from the lake and hills of Abehema to the Great City. Everyone in the village has invested in him their hopes for the good life. When the life they've imagined is cut short by the University guillotine, Emmanuel Kwanga must struggle to make sense of what the good life means - for himself and for Abehema - in a world where things are no longer as they used to be. This novel is about coming of age and coming to terms in Mimboland. It is also about the fragility of life and the strength of the human spirit. The filth and screaming splendor of the city and the perplexed tranquility of the village are juxtaposed, as the tension and conviviality between tradition and modernity are lived and explored. Roads and drivers, dreams and public transport link different geographies. Faltering along or speeding away, these spaces of risk, frustration and solidarity are filled with popular songs as vehicles for understanding events and relationships. With every crossing of the Pont de Maturit the story flows, and its mysteries surge. In this novel, the worlds of the living and the dead intermingle, as do the natural and the supernatural, the visible and the invisible.

Claude Ake's study is primarily concerned with what he terms 'the most perinicious form of imperialism' namely scientific knowledge. Ake analyses how Western social sciences, whether consciously or inadvertently, foist capitalist values and capitalist development on the Third World, and serve imperialist ends. He unravels the theory of political development/'westernisation', exposing its ideological character and condemning 'Western development studies as worse than useless'. He then develops his analysis of the imperialist and ideological characteristics of Western social sciences to posit alternatives which may more successfully overcome permanent underdevelopment; and advocates a struggle for a new model of social sciences which is socialist-orientated, and that developing countries reject Western models. The study was first published in 1979, revised in 1982, is newly reissued, and for the first time, widely available outside Africa. Claude Ake (1939-1996) was one of Africa's most distinguished political and social scientists and democrats of the twentieth century, writing widely and polemically on what were his life-long concerns of democracy and the future of the African continent.