This book investigates the scribal habits of P45, P46, P47, P66, P72, and P75, the six most extensive early New Testament manuscripts. All the singular readings in these six papyri are studied along with all the corrections.

In Scribal Habits in Sixth-Century Greek Purple Codices, Elijah Hixson assesses the extent to which unique readings reveal the tendencies of the scribes who produced three luxury manuscripts of Matthew’s Gospel. The manuscripts, Codex Purpureus Petropolitanus (N 022), Codex Sinopensis (O 023) and Codex Rossanensis (Σ 042), were each copied in the sixth century from the same exemplar. Hixson compares the results of a modified singular readings method to the number of actual changes each scribe made. An edition of the lost exemplar and transcriptions of Matthew in each manuscript follow in the appendices. Of particular relevance to New Testament textual criticism is the observation that the singular readings method does not accurately reveal the habits of these three scribes.

In Numerals in Early Greek New Testament Manuscripts, Zachary J. Cole provides the first in-depth examination of the seemingly obscure, yet important topic: how early Christian scribes wrote numbers and why. While scholars have long been aware that Christian scribes occasionally used numerical abbreviations in their books, few have been able to make much sense of it. This detailed analysis of numerals in manuscripts up through the fifth century CE uncovers a wealth of palaeographical and codicological data. Among other findings, Zachary J. Cole shows that some numerals can function as “visual links” between witnesses, that numbers sometimes—though rarely—functioned like nomina sacra, and that Christians uniquely adapted their numbering system to suit the needs of public reading.

This book, first published in 2000, is the main bibliographical listing of Greek New Testament manuscripts.

THE SCRIBE AND THE TEXT OF THE NEW TESTAMENT is a comprehensive exploration of the critical role played by scribes in the transmission of the New Testament text throughout history. This book provides a fascinating and informative overview of the evolution of scribal practices and their impact on the New Testament text, revealing how scribal tendencies have led to the creation of variant readings. The book delves into the significance of studying scribal activities in textual criticism, explaining how understanding scribal errors can help scholars determine the original text of the New Testament. The book provides examples of the most common types of scribal errors and offers strategies for identifying and correcting them. With clear and accessible language, the book explains the historical and cultural context of scribal practices in the New Testament era. It highlights the importance of recognizing the impact of scribal activities on the transmission of the New Testament text and its continuing relevance to contemporary scholarship. THE SCRIBE AND THE TEXT OF THE NEW TESTAMENT is an essential resource for anyone interested in textual criticism, the history of the New Testament, or the cultural context of the ancient world. It is an invaluable guide for scholars, students, and anyone seeking a deeper understanding of the New Testament and its transmission through history.

In Scribal Harmonization Cambry G. Pardee examines the earliest Greek manuscripts of the Synoptic Gospels for evidence that scribes altered the text of the Gospels—either deliberately or inadvertently—in ways that eliminated discrepancies between them. The phenomenon of harmonization demonstrates that a scribe’s memories of previous experiences with gospel traditions could have a powerful effect on the manuscripts that they produced. This book assembles for the first time a catalogue of harmonizing variants from every manuscript of Matthew, Mark, and Luke from the fourth century and earlier. Far from reducing the unique voices of the individual evangelists to a single melody, the earliest scribes contributed new tones, innovative strains, and fascinating harmonies to the four-fold gospel tradition.

This study offers the first sustained examination of the Coherence-Based Genealogical Method (CBGM), a computerized method being used to edit the most widely-used editions of the Greek New Testament. Part one addresses the CBGM’s history and reception before providing a fresh statement of its principles and procedures. Parts two and three consider the method’s ability to recover the initial text and to delineate its history. A new portion of the global stemma is presented for the first time and important conclusions are drawn about the nature of the initial text, scribal habits, and the origins of the Byzantine text. A final chapter suggests improvements and highlights limitations. Overall, the CBGM is positively assessed but not without important criticisms and cautions.