Screendance

Screendance
Title Screendance PDF eBook
Author Douglas Rosenberg
Publisher OUP USA
Pages 234
Release 2012-06-14
Genre Performing Arts
ISBN 0199772614

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Dancers, choreographers, & directors are embracing screendance: capturing dance as a moving image mediated by a camera. Rosenberg draws on psycho-analytic, literary, materialist, queer, & feminist modes of analysis to explore relationships between camera & subject, director & dancer, & the ephemeral nature of dance & the fixed nature of film.

The Oxford Handbook of Screendance Studies

The Oxford Handbook of Screendance Studies
Title The Oxford Handbook of Screendance Studies PDF eBook
Author Douglas Rosenberg
Publisher Oxford University Press
Pages 817
Release 2016-06-03
Genre Music
ISBN 0199981612

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The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

Screendance

Screendance
Title Screendance PDF eBook
Author Douglas Rosenberg
Publisher Oxford University Press
Pages 233
Release 2012-07-05
Genre Performing Arts
ISBN 0199772622

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The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.

Screendance from Film to Festival

Screendance from Film to Festival
Title Screendance from Film to Festival PDF eBook
Author Cara Hagan
Publisher McFarland
Pages 208
Release 2022-02-07
Genre Performing Arts
ISBN 1476669848

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Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.

Screendance from Film to Festival

Screendance from Film to Festival
Title Screendance from Film to Festival PDF eBook
Author Cara Hagan
Publisher McFarland
Pages 208
Release 2022-02-08
Genre Performing Arts
ISBN 1476645450

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Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.

The Bloomsbury Companion to Dance Studies

The Bloomsbury Companion to Dance Studies
Title The Bloomsbury Companion to Dance Studies PDF eBook
Author Sherril Dodds
Publisher Bloomsbury Publishing
Pages 464
Release 2019-03-21
Genre Performing Arts
ISBN 135002449X

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The Bloomsbury Companion to Dance Studies brings together leading international dance scholars in this single collection to provide a vivid picture of the state of contemporary dance research. The book commences with an introduction that privileges dancing as both a site of knowledge formation and a methodological approach, followed by a provocative overview of the methods and problems that dance studies currently faces as an established disciplinary field. The volume contains eleven core chapters that each map out a specific area of inquiry: Dance Pedagogy, Practice-As-Research, Dance and Politics, Dance and Identity, Dance Science, Screendance, Dance Ethnography, Popular Dance, Dance History, Dance and Philosophy, and Digital Dance. Although these sub-disciplinary domains do not fully capture the dynamic ways in which dance scholars work across multiple positions and perspectives, they reflect the major interests and innovations around which dance studies has organized its teaching and research. Therefore each author speaks to the labels, methods, issues and histories of each given category, while also exemplifying this scholarship in action. The dances under investigation range from experimental conceptual concert dance through to underground street dance practices, and the geographic reach encompasses dance-making from Europe, North and South America, the Caribbean and Asia. The book ends with a chapter that looks ahead to new directions in dance scholarship, in addition to an annotated bibliography and list of key concepts. The volume is an essential guide for students and scholars interested in the creative and critical approaches that dance studies can offer.

LO: TECH: POP: CULT

LO: TECH: POP: CULT
Title LO: TECH: POP: CULT PDF eBook
Author Priscilla Guy
Publisher Taylor & Francis
Pages 295
Release 2024-04-24
Genre Performing Arts
ISBN 1040016758

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This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more. This book represents new vectors in screendance studies, featuring contributions by both artists and theoreticians, some of the most established voices in the field as well as the next generation of emerging scholars, artists, and curators. It builds on the foundational cartographies of screendance studies that attempted to sketch out what was particular to this practice. Sampling and reworking established forms of inquiry, artistic practice and spectatorial habits, and suspending and reorienting gestures into minoritarian forms, these conversations consider the affordances of screendance for reimaging the relations of bodies, technologies, and media today. This collection will be of great interest to students and scholars in dance studies, performance studies, cinema and media studies, feminist studies, and cultural studies.