Sharon Smith reaches deep down and recaptures the torturous times of her childhood growing up in Harlem, New York. From kindergarten through high school, her experiences accelerated her awareness of lifes unyielding challenges. She met the hard and bitter reality of becoming an outcast. Concurrently, her family was shattered by alcoholism, poverty, and physical abuse. As her mother traveled the country, Sharon became the substitute mother for her sister and three brothers. She endured adversity and hostility in 1960s Harlem public housing projects. Entering her teenage years, Sharon met with even more abysmal poverty and despair. Her health compromised, compounded with family issues, Sharon longed and prayed for acceptance and a better life. Despite all of the challenges, she decides to return to the religion of her youth. She began to seek Gods guidance and the meaning of love in her life. With prayer and reading of the Scriptures, Sharon found salvation and contentment. As she tells her tumultuous early childhood story, filled with years of ridicule and contempt from her peers, which tore at her self-esteem and self-worth, we begin to see her life unfold, the little girl guarded behind the protection of Gods screen door. January 2014

Gifted chef and storyteller Martha Hall Foose invites you into her kitchen to share recipes that bring alive the landscape, people, and traditions that make Southern cuisine an American favorite. Born and raised in Mississippi, Foose cooks Southern food with a contemporary flair: Sweet Potato Soup is enhanced with coconut milk and curry powder; Blackberry Limeade gets a lift from a secret ingredient–cardamom; and her much-ballyhooed Sweet Tea Pie combines two great Southern staples–sweet tea and pie, of course–to make one phenomenal signature dessert. The more than 150 original recipes are not only full of flavor, but also rich with local color and characters. As the executive chef of the Viking Cooking School, teaching thousands of home cooks each year, Foose crafts recipes that are the perfect combination of delicious, creative, and accessible. Filled with humorous and touching tales as well as useful information on ingredients, techniques, storage, shortcuts, variations, and substitutions, Screen Doors and Sweet Tea is a must-have for the American home cook–and a must-read for anyone who craves a return to what cooking is all about: comfort, company, and good eating.

This book is about the transition that musicals went through when they traveled from the stage to the screen. While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn't happen as theatre and film have merged throughout the past century.Hischak'sanalysis covers productions from The Desert Song (1927), to Chicago (2002).

"On May 1, 1990 Gregg Smart was gunned down in his home in Derry, New Hampshire. On March 4, 1991 his wife Pamela Smart was placed on trial for accomplice to murder. ... Now for the first time, Gregg's brother Dean reveals the personal side of the tragedy - about growing up with a brother he idolized, and the true story of the events that led up to that tragic night." --From publisher's description.

Mötley Crüe's gleeful glam debauchery and unstoppable anthems have made them metal gods, selling over 72 million album copies worldwide and landing their band biography The Dirt on bestseller lists around the country. Mötley Crüe is—amazingly—the first photographic history of the band. Legendary rock photographer Neil Zlozower's images capture the band's rise from their breakthrough album Shout at the Devil through rock 'n' roll excesses to follow with the unprecedented all-access candor of a friend to the band. In hundreds of photographs and stories from the band and those close to them, Mötley Crüe reveals them onstage, backstage, on tour, hanging out, and in studio—a must-have album of photos and testimony on one of the most powerful and controversial bands in rock history.

Just outside Boston, in 1963, Frederick Merrill found himself a patient in the country's premiere mental hospital, a world of structured authority and absolute control - a forced regression to a simpler time even as the pace of the outside world accelerated into modernity. Meanwhile, in a wintry New Hampshire village hours to the north, Frederick's wife Katharine struggled to hold together her fracturing family and to heal from the wounds of her husband's affliction. Nearly fifty years later, a writer in his twenties attempts to comprehend his grandparents' story from that turbulent time, a moment in his family's history that continues to cast a long shadow over his own young life. Spanning generations and genres, The Storm at the Door blends memory and imagination, historical fact and compulsive storytelling, to offer a meditation on how our love for one another and the stories we tell ourselves allow us to endure. Quietly incisive and unflinchingly honest, The Storm at the Door juxtaposes the visceral physical world of Frederick's asylum with an exploration of how the subtlest damages can for ever alter a family's fate.

This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.