A darkly hilarious contemporary realistic young adult novel about growing up and finding your place in the world, perfect for fans of Me and Earl and the Dying Girl and Running with Scissors. Goodreads Hottest YA Books of Summer * B&N Teen Blog Most Anticipated YA Debuts of 2018 * Buzzfeed 27 YA Books You’ll Want to Devour by the Pool This Summer DARIO HEYWARD KNOWS ONE THING: He’s never going back to Moldavia Studios, the iconic castle that served as the set, studio, and home to the cast and crew of dozens of cult classic B-horror movies. It’s been three years since Dario’s even seen the place, after getting legally emancipated from his father, the infamous director of Moldavia’s creature features. But then Dario’s brother invites him home to a mysterious ceremony involving his father and a tribute to his first film—The Curse of the Mummy’s Tongue. Dario swears his homecoming will be a one-time visit. A way for him to get closure on his past—and reunite with Hayley, his first love and costar of Zombie Children of the Harvest Sun, a production fraught with real-life tragedy—and say good-bye for good. But the unthinkable happens—Dario gets sucked back into the twisted world of Moldavia and the horrors, both real and imagined, he’s left there. With only months to rescue the sinking studio and everyone who has built their lives there, Dario must confront the demons of his past—and the uncertainties of his future. But can he escape the place that’s haunted him his whole life?

A darkly hilarious contemporary realistic young adult novel about growing up and finding your place in the world, perfect for fans of Me and Earl and the Dying Girl and Running With Scissors. DARIO HEYWARD KNOWS ONE THING: He’s never going back to Moldavia Studios, the iconic castle that served as the set, studio, and home to the cast and crew of dozens of cult classic B-horror movies. It’s been three years since Dario’s even seen the place, after getting legally emancipated from his father, the infamous director of Moldavia’s creature features. But then Dario’s brother invites him home to a mysterious ceremony involving his father and a tribute to his first film—The Curse of the Mummy’s Tongue. Dario swears his homecoming will be a one-time visit. A way for him to get closure on his past—and reunite with Hayley, his first love and costar of Zombie Children of the Harvest Sun, a production fraught with real-life tragedy—and say good-bye for good. But the unthinkable happens—Dario gets sucked back into the twisted world of Moldavia and the horrors, both real and imagined, he’s left there. With only months to rescue the sinking studio and everyone who has built their lives there, Dario must confront the demons of his past—and the uncertainties of his future. But can he escape the place that’s haunted him his whole life?

I had decided to spend a leisurely summer in Europe, concentrating, if at all, on genealogical research. I went first to Ireland, journeying to Kilkenny where I unearthed a mine of legend and authentic lore concerning my remote Irish ancestors, the O'Braonains, chiefs of Ui Duach in the ancient kingdom of Ossory. The Brennans (as the name was later spelled) lost their estates in the British confiscation under Thomas Wentworth, Earl of Strafford. The thieving Earl, I am happy to report, was subsequently beheaded in the Tower...FROM THE BOOKS.

In R.L. Stine's A Midsummer Night's Scream, the Master of Horror takes on the Master of Theatre! Oh, what fools these actors be! It was a horror movie that turned into real horror--three young actors lost their lives while the camera rolled. Production stopped, and people claimed that the movie was cursed. Sixty years later, new actors are venturing onto the haunted set. In a desperate attempt to revive their failing studio, Claire's dad has green-lit a remake of Mayhem Manor—and Claire and her friends are dying to be involved. At first, Claire laughs at Jake's talk of ghosts and curses. He's been too busy crushing on her best friend Delia to notice that she's practically been throwing herself at him. What does he know? And anyway, this is her big chance to be a star! When shooting starts, though, the set is plagued by a series of horrible accidents—could history be repeating itself?

Last Doorway Productions and Black Bed Sheet Books celebrate women in horror fiction by partnering to bring a chilling, all-female horror anthology! Horror Host Miss Misery (Reyna Young) has brought together 13 stories bound to elicit the piercing shrieks women in cinema are known for. Make no mistake, however…these hard-hitting horror gems prove the ‘softer sex’ can bring the punishment, too! Award-winning editor Suzie Lockhart joins this terrifying team, ensuring there will be no sleep tonight. A requirement for all horror-obsessed readers; those who love to read under a blanket with flashlight in hand. This mixture of scares, things that go bump in the night and shocking twists will leave you screaming for more.Stories by Reyna Young, Maureen Whelan, Anna Ace, Cassandra Sechler, Jennifer Nangle, Debra Lamb, Marjorie DeHey, Meagan J. Meehan, Heidi Moore, Lindsey Goddard, Carson Buckingham, Rie Sheridan Rose, and Suzie Lockhart.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion. Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

Chronicles the events surrounding the murders of five women in Wichita Falls, Texas, between 1984 and 1985, discussing how one investigator managed to solve the case and capture the real killer more than fourteen years after the murders occured.