When her younger sister is abducted, strong-willed Emma Linley-Kirov will make a deal with the devil himself to rescue her. Devastatingly handsome, Dimitri Tipova is a scoundrel, seducer…and the only man who can help her, though his motive is cold, hard vengeance. Emma dares to trust him, but at what price? As prince of Saint Petersburg's underworld, Dimitri has wealth, power, women—everything but revenge against his nefarious father. Emma is an enchanting means to an end. But as their dangerous pursuit sweeps them from the ballrooms of Russia to the steamy streets of Cairo, his savage desire for her grows. And leads him to a crossroads between his dark obsession…and the promise of love.

The Founding Fathers are often revered as American saints; here are the stories of those Founders who were schemers and scoundrels, vying for their own interests ahead of the nation’s. We now have a clear-eyed understanding of Founding Fathers such as George Washington, Benjamin Franklin, Thomas Jefferson, and Alexander Hamilton; even so, they are often considered American saints, revered for their wisdom and self-sacrificing service to the nation. However, within the Founding Generation lurked many unscrupulous figures—men who violated the era’s expectation of public virtue and advanced their own interests at the expense of others. They were turncoats and traitors, opportunists and con artists, spies, and foreign intriguers. Some of their names are well known: Benedict Arnold and Aaron Burr. Others are less notorious now but were no less threatening. There was Charles Lee, the Continental Army general who offered to tell the British how to defeat the Americans, and James Wilkinson, who served fifteen years as a commanding general in the US Army, despite rumors that he spied for Spain and conspired with traitors. The early years of the republic were full of self-interested individuals, sometimes succeeding in their plots, sometimes failing, but always shaping the young nation. A Republic of Scoundrels seeks to re-examine the Founding Generation and replace the hagiography of the Founding Fathers with something more realistic: a picture that embraces the many facets of our nation’s origins.

Virgin martyrs make up one of the largest categories of medieval saints. To judge by their frequent appearances in art and literature, they also figure among the most venerated. The legends of virgin martyrs, retold in various ways through the centuries, illuminate trends in popular piety, values, and literary tastes. Chaste Passions contains sixteen English virgin martyr legends, each of a different saint and each translated into colloquial, modern English prose. Faithful in tone and meaning to the originals, Karen Winstead's lively translations allow contemporary readers to appreciate why virgin martyr legends thrived for hundreds of years. Winstead presents the tales in chronological order, tracing the effects of the composition and tastes of the audience on the development of the genre. The virgin martyr, Winstead tells us, escapes the confining female stereotypes—demure maiden or disruptive shrew—prevalent in writings of the period. Because nearly all of the texts were written by men but addressed to women, they exhibit a fascinating interplay between male views of so-called women's literature and the demands of their intended audience. Familiarity with this widely read genre is essential to a full understanding of medieval culture, and Chaste Passions is an excellent introduction to these often racy, sometimes comic, tales

Mencius (385–303/302 BCE) and Aristotle (384–322 BCE) were contemporaries, but are often understood to represent opposite ends of the philosophical spectrum. Mencius is associated with the ecological, emergent, flowing, and connected; Artistotle with the rational, static, abstract, and binary. Douglas Robinson argues that in their conceptions of rhetoric, at least, Mencius and Aristotle are much more similar than different: both are powerfully socio-ecological, espousing and exploring collectivist thinking about the circulation of energy and social value through groups. The agent performing the actions of pistis, "persuading-and-being-persuaded," in Aristotle and zhi, "governing-and-being-governed," in Mencius is, Robinson demonstrates, not so much the rhetor as an individual as it is the whole group. Robinson tracks this collectivistic thinking through a series of comparative considerations using a theory that draws impetus from Arne Naess's "ecosophical" deep ecology and from work on rhetoric powered by affective ecologies, but with details of the theory drawn equally from Mencius and Aristotle.

This edition offers you the first Modern English version of Chaucer’s only previously untranslated major work, Boece. Boece is Chaucer’s Middle English translation of the 6th-century CE philosopher Boethius’s The Consolation of Philosophy. For over a thousand years, The Consolation underpinned Christian understanding of Fate, Fortune, Free Will, and Divine Providence, and its ideas influenced Chaucer’s major works. While many editions offer a Modern English translation from the original Latin, this edition gives you an approachable version of Chaucer’s translation and puts you face-to-face with his phrasings and emendations. Here, the father of English poetry’s voice finally speaks up, so you can enjoy his poetic turns and even track where the language from Boece echoes in The Canterbury Tales and Troilus and Criseyde.

The modern world is faced with a terrifying new ‘disease’, that of ‘obesity’. As people get fatter, we have come to see excess weight as unhealthy, morally repugnant and socially damaging. Fat it seems has long been a national problem and each age, culture and tradition have all defined a point beyond which excess weight is unacceptable, ugly or corrupting. This fascinating new book by Sander Gilman looks at the interweaving of fact and fiction about obesity, tracing public concern from the mid-nineteenth century to the modern day. He looks critically at the source of our anxieties, covering issues such as childhood obesity, the production of food, media coverage of the subject and the emergence of obesity in modern China. Written as a cultural history, the book is particularly concerned with the cultural meanings that have been attached to obesity over time and to explore the implications of these meanings for wider society. The history of these debates is the history of fat in culture, from nineteenth-century opera to our global dieting obsession. Fat, A Cultural History of Obesity is a vivid and absorbing cultural guide to one of the most important topics in modern society.