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Edited from unpublished material after the author's death, this book is of great importance to anyone with an interest in Scotland's musical history. This collection of studies presents unpublished material from the book Isobel Woods Preece was planning at the time of her death. It contains articles published by her and extracts from her dissertation on the Carvor Choirbook. There are also newly written chapters on medieval chant and polyphony by Warwick Edwards and on the music of the Reformed Church by Gordon Munro. Both scholarly and accessible, this work will be of importance to all with an interestin Scotland's Christian musical heritage. ISOBEL WOODS PREECE (1956-1997) was a major pioneer within Scottish music research. A graduate of the University of Glasgow, she subsequently become a Rotary International Graduate Fellow at Princeton University, where she wrote her doctoral dissertation under the supervision of Margaret Bent. She held the posts of lecturer, and later senior lecturer, in the Music Department at the University of Newcastle, where she was greatly respected as a scholar, teacher, administrator, conductor and performer.

Assist Our Song combines accessible teaching about the theology and shape of worship with essential information about the forms of music used, including congregational hymns, songs, canticles and psalm chant, and music performed by choirs and musicians. It explores the range of resources available, how to extend repertoire, blending the old with the new, changing patterns of church life, and other practical issues. Its aims are the heightening of the profile of music within the church, increasing the skills and understanding on the part of musicians and choirs, assisting leaders of worship and empowering congregations to see themselves also as ‘ministers of music’ It offers practical assistance for the ‘delivery’ of music – choosing music, making the most of choirs and working with musicians. It will be welcomed by all who lead, provide or curate music in worship, as well as clergy and ordinands who lack musical expertise or confidence.