This text tells the story of modern Scottish painting and sculpture. It sets out the claim of artists like Macintosh and Fergusson to be partners, not followers in the early modern movement. It traces the impact of the ideas of the Scots Renaissance on the work of painters such as William Godstone, the evolution of a distinct Edinburgh School with Sir William Gillies, Anne Redpath and Sir Robin Philipson. It also details the important place that artists from Scotland such as Joan Eardley, Sir Eduardo Paolozzi and Alan Davie played in the post-war period in Britain. It examines the achievement of Ian Hamilton Finlay, the revolutionary impact of John Bellany's work and finally artists such as Steven Campbell, Ken Currie and others who have marked a new flowering of Scottish art in the 1980s and 1990s.

This new edition brings the story right up to date and includes a number of talented young artists who have emerged in the last few years. It follows the success of the author's Scottish Art 1460-2000, which was awarded the Saltire Society/Scotsman Prize for Scottish Book of the Year in 1990 and was described as 'definitive' by Maria Vaizey in the Sunday Times. Scottish Art in the 20th Century won a Scottish Arts Council Book Award when first published."--BOOK JACKET.

Includes paintings and sculpture which have shaped the course of art in the 20th century.

The compelling story of over 5,000 years of Scottish art, told by Lachlan Goudie, renowned contemporary Scottish artist, broadcaster and presenter of BBC Four's 'The Story of Scottish Art'. This is the story of how Scotland has defined itself through its art over the past 5000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow's fame as a centre of artistic innovation today. Lachlan Goudie brings his perspective and passion as a practising artist and broadcaster to narrate the joys and struggles of artists across the millennia striving to fulfil their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with the diverse artworks that form Scotland's long tradition of bold creativity: Pictish carved stones and Celtic metalwork; Renaissance palaces and chapels; paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by Pop Art pioneer Eduardo Paolozzi. Lachlan tells the compelling story of how and why these and many other Scottish masterpieces were created, and the impact they have had on the world.

Craig Richardson here addresses key areas of cultural politics and identity in a way that not only illuminates the development of Scottish art, but teases out another strand of the plurality of developments which led to the success of artists throughout the UK in the 1990s. It is of the highest relevance whether one's perspective is that of the development of the Scottish art, British art or European art of this period. The book adds significantly to our knowledge of the art of this period in a way that will aid not only our historical understanding but our understanding of the dynamics of art practice today. Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted 'exemplary' works which outlines a self-conscious definition of the interrogative term 'Scottish art.' Among the artists whose work is discussed are John Latham, Simon Starling, Alan Johnston, Roderick Buchanan, Glen Onwin, Christine Borland, William Johnstone, Joan Eardley, Alexander Moffat, Douglas Gordon, Alan Smith, Graeme Fagen, Ross Sinclair and many others. The discussion culminates in a critically original demonstration of the scope for further research and practice within the subject, facilitating national cultural debate on the character of Scottish-national visual art.

In comparison with many who write about contemporary art, Hare is never self indulgent or wilfully obscure – there is no bogus theorising to be found here. From the Foreword by ALEXANDER MOFFAT Alan Davie • Eduardo Paolozzi • William Turnbull • Janet Boulton • Ian Hamilton Finlay • Joan Eardley • Anthony Hatwell • Colquhoun and MacBryde • Boyle Family • Jack Knox • Barbara Rae • Lys Hansen • Joyce Cairns • Doug Cocker • John Kirkwood • Steven Campbell • Ken Currie • Peter Howson • Henry Kondracki • Paul Reid • Iain Robertson • Douglas Gordon This book is a wide-ranging exploration of Scottish art and artists by one of Scotland's leading art historians. Navigating the intricacies of aesthetic debate with attitude and aplomb, Bill Hare examines the historical forces that have shaped Scottish art. His elegant, approachable writings are a treasure-house of informed discourse. Illuminating and perennially relevant, these essays offer stimulating perspectives and nuanced insights into the confluence of passion, mystery and myth that lies at the heart of the best of Scottish art.

Today the work of so-called "outsider" artists is receiving unprecedented attention. This major critical appraisal of America's 20th-century self-taught artists coincides with a major 1998 traveling exhibition organized by the Museum of American Folk Art in New York. While some of these artists have received critical recognition, others remain virtually unknown, following their muse regardless. 150 color images.