Based on an influential study by three leading socioligists, this work examines the specific role and character of the major players in Scottish heritage - the National Trust for Scotland, the Scottish Tourist Board and Historic Scotland - as well as the lairds who have a stake in the industry.

Each year, tens of thousands of people flock to Grandfather Mountain, North Carolina, and to more than two hundred other locations across the country to attend Scottish Highland Games and Gatherings. There, kilt-wearing participants compete in athletics, Highland dancing, and bagpiping, while others join clan societies in celebration of a Scottish heritage. As Celeste Ray notes, however, the Scottish affiliation that Americans claim today is a Highland Gaelic identity that did not come to characterize that nation until long after the ancestors of many Scottish Americans had left Scotland. Ray explores how Highland Scottish themes and lore merge with southern regional myths and identities to produce a unique style of commemoration and a complex sense of identity for Scottish Americans in the South. Blending the objectivity of the anthropologist with respect for the people she studies, she asks how and why we use memories of our ancestral pasts to provide a sense of identity and community in the present. In so doing, she offers an original and insightful examination of what it means to be Scottish in America.

The revival of interest in historical Western martial arts has focused a great deal of attention on the weapons of Scotland, especially of the Highlanders. Yet, despite all this enthusiasm for the martial arts of the Highland, few of those practicing have experienced genuine Gaelic culture - and without a cultural context, no practice of martial arts can be considered complete. Highland Martial Culture examines the nature of the Gaelic warrior class and its martial training; the Gaelic duel and how it differed from the duel in continental Europe; the phenomenon of wandering swordsmen in Highland society; the Highland conception of honor; internal aspects of martial arts practice such as mental tricks, traditional charms and spells used in warfare; unusual skills such as the fast draw; and health practices associated with the warrior class. This is your chance to find out more about the rich cultural heritage associated with the practice of Highland weapons.

This book argues that while Anglo-Saxon culture has given rise to virtually no myths at all, myth has played a central role in the historical development of Scottish identity. Hugh Trevor-Roper explores three myths across 400 years of Scottish history: the political myth of the "ancient constitution" of Scotland; the literary myth, including Walter Scott as well as Ossian and ancient poetry; and the sartorial myth of tartan and the kilt, invented--ironically, by Englishmen--in quite modern times. Trevor-Roper reveals myth as an often deliberate cultural construction used to enshrine a people's identity. While his treatment of Scottish myth is highly critical, indeed debunking, he shows how the ritualization and domestication of Scotland's myths as local color diverted the Scottish intelligentsia from the path that led German intellectuals to a dangerous myth of racial supremacy. This compelling manuscript was left unpublished on Trevor-Roper's death in 2003 and is now made available for the first time. Written with characteristic elegance, lucidity, and wit, and containing defiant and challenging opinions, it will absorb and provoke Scottish readers while intriguing many others. "I believe that the whole history of Scotland has been coloured by myth; and that myth, in Scotland, is never driven out by reality, or by reason, but lingers on until another myth has been discovered, or elaborated, to replace it."-Hugh Trevor-Roper

The Scottish soldier has been at war for over 2000 years. Until now, no reference work has attempted to examine this vast heritage of warfare.A Military History of Scotland offers readers an unparalleled insight into the evolution of the Scottish military tradition. This wide-ranging and extensively illustrated volume traces the military history of Scotland from pre-history to the recent conflict in Afghanistan. Edited by three leading military historians, and featuring contributions from thirty scholars, it explores the role of warfare in the emergence of a Scottish kingdom, the forging of a Scottish-British military identity, and the participation of Scots in Britain's imperial and world wars. Eschewing a narrow definition of military history, it investigates the cultural and physical dimensions of Scotland's military past such as Scottish military dress and music, the role of the Scottish soldier in art and literature, Scotland's fortifications and battlefield archaeology, and Scotland's military memorials and museum collections.

This book provides an overview of Scottish culture from the time of union with England and Wales up to and through the moment of devolution to the present.

«This remarkable volume focuses on Scotland's inhabited islands. Experienced editors and contributors explore very timely issues for small island communities, such as the role of cultural capital or strategies for future sustainability. As well as the interrelationship between the islands and the mainland, the volume is outward-looking, taking account of Nordic and Atlantic neighbours. The framing of islandness that occurs in this volume is highly significant as there is strong emphasis on new ways of seeing and imagining islands and island communities. This fascinating interdisciplinary volume is highly relevant for government bodies, academics, island communities, policymakers and practitioners.»(Prof. Máiréad Nic Craith MRIA, Chair of Cultural Heritage and Anthropological Studies Heriot-Watt University, Edinburgh).