For the 50th anniversary of the Watergate break-in: The untold story of President Richard Nixon, CIA Director Richard Helms, and their volatile shared secrets that ended a presidency. Scorpions' Dance by intelligence expert and investigative journalist Jefferson Morley reveals the Watergate scandal in a completely new light: as the culmination of a concealed, deadly power struggle between President Richard Nixon and CIA Director Richard Helms. Nixon and Helms went back decades; both were 1950s Cold Warriors, and both knew secrets about the disastrous Bay of Pigs invasion of Cuba as well as off-the-books American government and CIA plots to remove Fidel Castro and other leaders in Latin America. Both had enough information on each other to ruin their careers. After the Watergate burglary on June 17, 1972, Nixon was desperate to shut down the FBI's investigation. He sought Helms' support and asked that the CIA intervene—knowing that most of the Watergate burglars were retired CIA agents, contractors, or long-term assets with deep knowledge of the Agency's most sensitive secrets. The two now circled each other like scorpions, defending themselves with the threat of lethal attack. The loser would resign his office in disgrace; the winner, however, would face consequences for the secrets he had kept. Rigorously researched and dramatically told, Scorpions' Dance uses long-neglected evidence to reveal a new perspective on one of America's most notorious presidential scandals.

Describes the physical characteristics, hunting methods, and distribution of scorpions and their relationship with humans.

"Special agent Mark Donovan had watched the politicians let Abu Beka and his "Army of God" terrorize the West for far too long. The self-styled "holy warriors" struck when and where they wanted, taking hostages and killing with an almost mystical frenzy of hatred. Negotiations were pointless and attack on their scattered strongholds only wasted time. Donovon knew the only way to crush the fanatics was to beat them at their own deadly game: to fight fire with fire until the smoke cleared in peace. Russia and The United States had no other recourse and joined forces in the greatest test of glasnost yet. Donovan and his Soviet counterpart, Anton Petrov, wre given only one directive: stop Abu Beka. It was the first step in what would be lethal..."--Back cover.

Hal Duncan shattered the boundaries between genres with his stunning debut novel, Vellum, which shocked with the boldness of its ideas, seduced with the sensual beauty of its prose, and astonished with its imaginative sweep. Now Duncan returns with another epic tour de force that surpasses all expectations. Once, in the depths of prehistory, they were human. But in a moment of brutal transfiguration, they became unkin, beings who possessed the power to alter reality by accessing the Vellum: a realm of eternity containing every possibility, every paradox, every heaven . . . and every hell. The Vellum became a battleground where forces of order and chaos fought across time and space. The ultimate weapon in that bloody war spanning through history and myth, dreams and memory, was The Book of All Hours, a legendary tome within which the blueprint for all reality is inscribed, a volume long lost amid the infinite folds of the Vellum. Until, in 2017, it was found by Reynard Carter, a young man with the blood of unkin in his veins. Until Phreedom Messenger and her brother, Thomas, were swept up in an archetypal dance of death and rebirth. Until a hermit named Seamus Finnan found the courage to re-forge his broken soul, and a self-proclaimed angel called Metatron unleashed a plague of AI bitmites. Now, in the aftermath of the apocalypse, several survivors search desperately for the remnants of themselves scattered across the Vellum like torn pages, determined to use the blood of the unkin to rewrite The Book of All Hours, and to forge a new destiny for themselves and all humanity. Reality will never be the same.

This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles's brilliant career—as composer, novelist, short-story master, travel writer, translator, ethnographer, and literary critic. Here is Bowles on the genesis of his first novel, The Sheltering Sky; on his distaste for Western melodies and his dogged attempts to record indigenous Moroccan music; on the Beats, Gore Vidal, Truman Capote, and Tennessee Williams; on the nature and craft of writing; on Bernardo Bertolucci, David Byrne, and Sting; on the decline of American and the challenges of living in North Africa. Gossipy, reflective, enlightening, and always entertaining, In Touch stands as an epistolary autobiography of one of the legendary writers of our time, and a unique chronicle of the twentieth-century avant-garde.

Luminous new poems from the author of "The Appalachian Book of the Dead" Landscape, as Wang Wei says, softens the sharp edges of isolation. Don't just do something, sit there. And so I have, so I have, the seasons curling around me like smoke, Gone to the end of the earth and back without a sound. -"Body and Soul II" This is Charles Wright's first collection of verse since the completion of his Appalachian Book of the Dead, the trilogy of trilogies hailed as one "among the great long poems of the century" (James Longenbach, Boston Review). Wright speaks in these poems with characteristic charm, restlessness, and wit, writing again and again, "I sit where I always sit," only to reveal himself in a new setting every time. In A Short History of the Shadow Wright's return to the landscapes of his early work finds his art resilient in a world haunted by death and the dead.

A delusion is a strong belief or conviction despite superior evidence to the contrary. The Watergate delusion, embraced by millions, is that swashbuckling Bob Woodward and the left confronted the malevolent Nixon administration as it cast a sinister pall over America and slayed it with the lance of truth, thereby saving democracy. But the actual evidence demonstrates that Watergate was not a shining example of democracy, and Bob Woodward' s place among the pantheon of journalistic immortals is a grift. One of the grand deceptions of Watergate is that Nixon' s enemies on the left razed his presidency, but it was actually his enemies on the right— the far right— who initially had the means, motive, and opportunity. And although Bob Woodward and Carl Bernstein told numerous lies throughout their Watergate reporting, Woodward' s Big Lie was that he didn' t meet Alexander Haig until 1973. As The Truth About Watergate takes the reader on a guided tour of the extraordinary lies and liars of Watergate, its demonstrates that Woodward' s fabrication about Haig has seismic implications. If Woodward' s Big Lie about Haig had been exposed, then the synergistic mythologies of Bob Woodward and “ Deep Throat” would have been shattered and swept away by gusts of veracity. The Washington Post has scorned prior Watergate revisionist books, like Silent Coup: The Removal of a President as a conspiracy theory, but The Truth About Watergate shows The Washington Post has fervent, utilitarian motives for banishing Silent Coup to the conspiracy theory ghetto.