Originally published in 1956, this book provides a non-technical analysis of contemporary building by on the of the world’s greatest architects. Published a few years after the end of WW2, it was an inspiring and constructive picture of what kind of living could lie ahead for Western industrial society. This book, the result of many year in the forefront of architectural experiment and achievement by the author, outlines in practical terms the road to improved existence through science, mass production in building and renewed emphasis on the individual.

Unpublished writings of Colin Rowe—letters, essays, lectures, and a postcard—clarify his thinking on key concepts while revealing his wit and erudition. Colin Rowe (1920–1999) was one of the great architectural historians of the twentieth century, publishing the influential works The Mathematics of the Ideal Villa and Other Essays (1976) and Collage City (1978). While his written work was rigorous and authoritative, his lectures and letters were more casual, “carefully careless,” both witty and erudite. I Almost Forgot gathers twenty-three such writings—letters, essays, lectures, a postcard, and a eulogy. Both edifying and entertaining, sometimes tongue-in-cheek, occasionally scathing, they fill in personal details and clarify key concepts in Rowe’s work. In these writings, Rowe tells of the “Corbu superstructure upon a beaux-arts base” that refugee Polish architects and their students introduced to his alma mater, the University of Liverpool, in the early 1940s. He characterizes his controversial essay “The Mathematics of the Ideal Villa” as a “pretty clever but, otherwise, perfectly innocent little article,” and reports that Le Corbusier’s Villa Schwob “played an entirely disproportionate role in my mental life.” Rowe’s voice and opinions are strong in his discussions of architecture, current events, and his own life and work. Each piece begins with a brief introduction by the volume editor. The writings are illustrated by images of Rowe’s drawings, letters, and postcards; photographs and drawings of Rowe’s only built work; and illustrations chosen by Rowe for lectures.

In this fascinating, informal approach to art appreciation, an eminent Indian scholar reveals the crucial difference between merely looking at and really seeing painting and sculpture, drawing and architecture. And to the open-minded and sensitive observer, he shows how simple perceptions can be transmuted into darshana—the pure delight of union with the inner life of a work of art. The presentation is poetic, not technical, directed toward the general reader rather than the specialist. The author begins by symbolizing certain powers of the imagination as the "seven little-known birds of the inner eye." Then he traces these energies of the "body-soul" through a wide range of aesthetic response—from the first, almost involuntary discriminations lines, colors, and forms to the insights attained by the "third eye" of total vision. Illustrated and discussed are the superb murals and breathtaking architecture of India; ancient symbols and modern experiments; the landscape paintings of Song China and the works of major Western artists.

Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, Mir?rp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.

'Taking Shape' explores the evolution of scientific and academic theories that have resulted in the concept of sustainability. Susannah Hagan uses this as a basis to argue for developments in the future and argues that these theories are not 'just an intellectual and aesthetic regression' as they are often perceived to be. By focusing on the impact of the new theories of sustainable technology and new materials in architecture, Hagan moves the discourse and practice of environmental sustainability within architecture towards a greater degree of awareness of both its cultural significance and cultural potential. In short, it demonstrates the capacity of sustainable architecture to embrace cultural and technical innovation.

“TIBCO® Architecture Fundamentals is a must-read for anybody involved with the architecture and design of distributed systems, system integration issues, or service-based application design.” —Bert Hooyman, Chief Architect, Europe, for MphasiS (an HP Company) “I would like all the folks on my team to read this, to ensure we are all on the same page with the deliverables that are expected from architecture teams involved in global projects and the role that the TIBCO tools play in implementing these solutions.” —Joseph G. Meyer, Director of Architecture Services and R&D, Citi TIBCO’s product suite comprises a diverse range of components. Each component is specialized for a particular functionality, ranging from basic messaging through services, service orchestration, the management of complex business processes, managing master data across multiple systems, and the interpretation ofmassive streams of events (complex event processing). The architecture series from TIBCO® Press comprises a coordinated set of books for software architects and developers, showing how to combine TIBCO components to design and build real-world solutions. TIBCO® Architecture Fundamentals is the core book for understanding and using the TIBCO product suite. It focuses on the TIBCO ActiveMatrix® product suite and a handful of the other most commonly used components, including the TIBCO Enterprise Message ServiceTM and TIBCO BusinessEventsTM. The book provides a sound basis for applying TIBCO products to solve the most common integration and SOA challenges faced by architects and developers. In addition, it lays the foundation for the more advanced books to be added to the architecture series. Designed to make the material as accessible as possible, the book starts with concrete problems architects and developers face every day, showing how to solve these problems with combinations of TIBCO (and selected third-party) products. In the context of specific design scenarios, it also discusses key concepts and decision trade-offs. To accomplish its practical aims, the book Provides useful techniques for discussing and documenting architectures Presents reference architectures (design patterns) for solving common SOA and system integration problems Describes each problem and solution from both business process and technical perspectives Supplies an overview of the typical solution roles played by different TIBCO products The book largely avoids the code-level detail already available in the product manuals, concentrating instead on blueprints for solving whole classes of problems.

In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance.