Bill Kalman is a graduate of the University of Notre Dame. He resides in Las Vegas, NV. This is his first novel.

The field of feeding and eating disorders represents one of the most challenging areas in mental health, covering childhood, adolescent and adult manifestations of the disorders and requiring expertise in both the physical and psychological issues that can cause, maintain, and exacerbate these disorders. The scope of the book is an overview of all the feeding and eating disorders from “bench to bedside”, incorporating recent changes introduced into the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (DSM-5). The aim is to present one of the first complete overviews of the newly defined area of feeding and eating disorders with respect to genetics, biology and neuroscience through to theory and its application in developing clinical approaches to the prevention and treatment of feeding and eating disorders.

#ReadWithJenna Book Club Pick as Featured on Today Emma Roberts Belletrist Book Club Pick A New York Times Book Review’s Group Text Selection "I loved this book not just from the first chapter or the first page but from the first paragraph... The voice is just so honest and riveting and insightful about creativity and life." —Curtis Sittenfeld An extraordinary new novel of art, love, and ambition from Lily King, the New York Times bestselling author of Euphoria Following the breakout success of her critically acclaimed and award-winning novel Euphoria, Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman. Blindsided by her mother’s sudden death, and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she’s been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey’s fight to fulfill her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink. Writers & Lovers follows Casey—a smart and achingly vulnerable protagonist—in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King’s trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.

A former Roman Catholic, Frank Bolger Kelly has long wondered why thinking humans as a whole in the 21st century have not yet been able to disenthrall themselves from the demonstrable falsehoods and sectarian nonsense of organized religion. A few years ago, Kelly decided to sit down with the "sacred" scriptures of several of the world's major religions, the alleged bedrocks of these various creeds, in a last-ditch effort to achieve holy inspiration. Instead, he became wholly disenchanted, and Scoffing at Scripture: A Commoner Reads the World's Holy Writ and Rejects Traditional Religion is the result. Far from representing that all-elusive "Word of God," creedal scripture the world over, it seems to Kelly, merely cloaks the tribal agendas and cultural designs of the world's priestly (and virtually allmale) elites. With the general reader in mind, the author has grouped together a series of compact discussions of religion and scripture for cross-cultural comparative reference. Kelly's intent is to facilitate critical analysis of the world's holy writ and, in particular, to encourage younger, skeptical readers of a secular mind to confront the doctrinal, scriptural, and ritual absurdities of those faiths into which they were born and continue to be indoctrinated. Frank Bolger Kelly grew up in an Irish Catholic family in the Bronx, New York, matriculated to a noted Jesuit college in New England, and subsequently did time at a prestigious non-sectarian institution of higher learning in the Midwest. It was during his enlightening time at the latter that Kelly first began seriously to question not only his own religious upbringing but the scriptural bases of all the world's major religions. Kelly was quickly convinced that the vast majority of "the faithful" the world over, commoners like himself, just might reconsider their religious roots and motivations in a new light if they actually bothered to immerse themselves for a time in their own "sacred scriptures," rather than merely fake familiarity with them. Actually to read scripture in all its antiquated, tendentious, sectarian absurdity, Kelly reasoned, is to take a first, giant step in renouncing irrational creeds of all kinds. Thus was born Scoffing at Scripture: A Commoner Reads the World's Holy Writ and Rejects Traditional Religion, a book from which the author hopes the open-minded reader will draw a secularly pure, spiritual sustenance.

What is snark? You recognize it when you see it -- a tone of teasing, snide, undermining abuse, nasty and knowing, that is spreading like pinkeye through the media and threatening to take over how Americans converse with each other and what they can count on as true. Snark attempts to steal someone's mojo, erase her cool, annihilate her effectiveness. In this sharp and witty polemic, New Yorker critic and bestselling author David Denby takes on the snarkers, naming the nine principles of snark -- the standard techniques its practitioners use to poison their arrows. Snarkers like to think they are deploying wit, but mostly they are exposing the seethe and snarl of an unhappy country, releasing bad feeling but little laughter. In this highly entertaining essay, Denby traces the history of snark through the ages, starting with its invention as personal insult in the drinking clubs of ancient Athens, tracking its development all the way to the age of the Internet, where it has become the sole purpose and style of many media, political, and celebrity Web sites. Snark releases the anguish of the dispossessed, envious, and frightened; it flows when a dying class of the powerful struggles to keep the barbarians outside the gates, or, alternately, when those outsiders want to take over the halls of the powerful and expel the office-holders. Snark was behind the London-based magazine Private Eye, launched amid the dying embers of the British empire in 1961; it was also central to the career-hungry, New York-based magazine Spy. It has flourished over the years in the works of everyone from the startling Roman poet Juvenal to Alexander Pope to Tom Wolfe to a million commenters snarling at other people behind handles. Thanks to the grand dame of snark, it has a prominent place twice a week on the opinion page of the New York Times. Denby has fun snarking the snarkers, expelling the bums and promoting the true wits, but he is also making a serious point: the Internet has put snark on steroids. In politics, snark means the lowest, most insinuating and insulting side can win. For the young, a savage piece of gossip could ruin a reputation and possibly a future career. And for all of us, snark just sucks the humor out of life. Denby defends the right of any of us to be cruel, but shows us how the real pros pull it off. Snark, he says, is for the amateurs.