The British Empire was largely accidental. During the 17th and 18th centuries, a small island nation accrued a patchwork scattering of commercial monopolies, isolated ports, utopian experiments, and surrendered colonies. By the time of Queen Victoria's Diamond Jubilee in 1897, the British Empire was the largest the world had ever seen. The shape of the Empire was amorphous, its machinery unwieldy, its values contradictory, and its legacy ambivalent. Science fiction developed along with it, to celebrate and critique the imperial project. This volume features rarely reprinted stories from across the United Kingdom, India, Bangladesh, Australia, New Zealand, and Canada, including the "Poet of the Empire" Rudyard Kipling, Indian nationalist Shoshee Chunder Dutt, New Zealand Prime Minister Sir Julius Vogel, Catholic theologian G.K. Chesterton, Muslim feminist Begum Rokeya Sakhawat Hussain, Canadian satirist Stephen Leacock, military alarmist George Tomkyns Chesney, and "Jeeves and Wooster" creator P.G. Wodehouse.

Dive into the hottest new movement in British science fiction with this anthology featuring some of its biggest stars. This bundle contains four science fiction novels from bestselling British authors, three exclusive short stories, one of which is lavishly illustrated by award-winning artist Andy Bigwood, and two essays. Find out more at www.empireatwar.co.uk THE NOVELS- Their Darkest Hour by Christopher G. Nuttall. Aliens take control of Britain's cities and force the remainder of the British military to go on the run. With the government destroyed, the population must choose between fighting and collaborating with the alien overlords. Discovery of the Saiph by P.P. Corcoran. The Marco Polo leads mankind to Proxima Centauri outside Earth's Solar System where the ship's scientists detect power readings they are artificial, alien and emanate from Planet III... a wasteland that suffered a devastating nuclear bombardment many thousands of years before. Archaeologists discover an alien library deep underground and are astonished to unlock its secrets with human DNA. C.R.O.W. by Phillip Richards. Andy Moralee knew that life with his new company of Dropship Infantry would be hard, but nothing could prepare him for life in one of the toughest units in the Union army. New arrivals, nicknamed 'Crow' by their platoons, are the lowest form of life in his Company, and he finds himself at the mercy of unforgiving commanders and bullies, all the time knowing that the real enemy are waiting for him at the end of his journey through the void. The enemy know that the Union are coming, they have dug in and fortified, and they are ready Marine Cadet by Tim C. Taylor. 2565 A.D. When seventeen-year old Marine Cadet, Arun McEwan, forges an unlikely friendship with an alien scribe, he crashes into a world of treachery and conspiracy. How can he possibly survive three more years until graduation when every day brings a new deadly threat? But survive he must because his new alien allies show him glimpses of his destiny -- a vision of a better future that only he can forge. A dream called the Human Legion THE EXCLUSIVE SHORT STORIES- Haven One-Eight by P.P. Corcoran. A relentless foe seeks to murder the Faithful in their haven, but who are these unstoppable servants of Satan? The answer will shock you. The President's Son by Tim C. Taylor. The characters in the Human Legion series have been isolated from the rest of humanity for centuries, but their distant ancestors were taken as children from Earth. In The President's Son, a short story exclusive to this collection, we hear the story of that first group of slave children. Fallen Witness - artwork by Andy Bigwood and words by Tim C. Taylor. The third short story in the collection is special. The sumptuous cover artwork for The Empire at War was produced by Andy Bigwood, whose cover art has twice before won the best artwork award from the British Science Fiction Association. Andy has supplied seven fantastic pieces of artwork that are interspersed with the other stories. Box Set Exclusive Preview- Phillip Richards presents an intriguing peak at his new SF series with the opening chapters of Escape from the Hive. AND FINALLY, WORDS FROM TIM C. TAYLOR- SitRep: The State of British Military SF Roll Call: British Military SF authors.

In the second half of the nineteenth century, British firms and engineers built, laid, and ran a vast global network of submarine telegraph cables. For the first time, cities around the world were put into almost instantaneous contact, with profound effects on commerce, international affairs, and the dissemination of news. Science, too, was strongly affected, as cable telegraphy exposed electrical researchers to important new phenomena while also providing a new and vastly larger market for their expertise. By examining the deep ties that linked the cable industry to work in electrical physics in the nineteenth century - culminating in James Clerk Maxwell's formulation of his theory of the electromagnetic field - Bruce J. Hunt sheds new light both on the history of the Victorian British Empire and on the relationship between science and technology.

This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.

For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.

In this volume the author describes more than 3000 short stories, novels, and plays with science fiction elements, from earliest times to 1930. He includes imaginary voyages, utopias, Victorian boys' books, dime novels, pulp magazine stories, British scientific romances and mainstream work with science fiction elements. Many of these publications are extremely rare, surviving in only a handful of copies, and most of them have never been described before.

"Science Fiction in Colonial India, 1835–1905" shows, for the first time, how science fiction writing developed in India years before the writings of Jules Verne and H. G. Wells. The five stories presented in this collection, in their cultural and political contexts, help form a new picture of English language writing in India and a new understanding of the connections among science fiction, modernity and empire. [NP] Speculative fiction developed early in India in part because the intrinsic dysfunction and violence of colonialism encouraged writers there to project alternative futures, whether utopian or dystopic. The stories in "Science Fiction in Colonial India, 1835–1905," created by Indian and British writers, responded to the intellectual ferment and political instabilities of colonial India. They add an important dimension to our understanding of Victorian empire, science fiction and speculative fictional narratives. They provide new examples of the imperial and the anti-imperial imaginations at work.