The English Civil War has become a frequent point of reference in contemporary British political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This book is the first attempt to portray the visual legacy of this period, as passed down, revisited, and periodically reworked over two and a half centuries of subsequent English history. Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible today, from ornate tombs and statues to surviving sites of vandalism and iconoclasm, public signage, and historical paintings of human subjects, events, and places. Through these important scenes and sometimes barely perceptible traces, Bann shows how the British view of the War has been influenced and transformed by visual imagery.

The purpose of Weinberg's text is to suggest a way in which the dramatic events of World War II may be seen. Weinberg argues that the war must be seen as a whole, and that the presentation of it in discrete segments covering the European and Pacific portions separately distorts reality and obscures important aspects of the war on both sides of the world. In addition, any understanding of the great struggle requires a mental self-liberation from the certain knowledge of its outcome. In desperate struggles millions fought and died, hopeful or fearful--or both--but without awareness of the end.

This important book revisits a major figure from a now somewhat neglected generation who dominated the British art scene in the 1930s and 1940s. Focusing on the period from the mid 1930s, when Sutherland established his identity as a modern painter to the 1950s, when his influence began to wane, it portrays the types of work that gave rise to a widespread consensus amongst fellow artists and critics that Sutherland was the most exciting and compelling voice in contemporary British painting. Two particular strands of his imagery are discussed: the landscapes of Pembrokeshire and the South of France, before and after the Second World War; and the scenes of devastation produced for the War Artists scheme run by Sutherland's great friend Kenneth Clark. The dramatic colour and lighting and the metamorphosis of observed form in his pictures of bombed buildings, tin mines and factory interiors, struck a powerful emotional chord in such traumatic times. The book also includes sections on the early 1920s etchings, which introduced certain fundamentals of his art, and on the initial emergence of his portraiture with the creation of Somerset Maugham in 1949. There are also carefully selected works by other artists, past and present, in whom Sutherland took an interest: such as Blake, Palmer, Nash and Masson. Published to accompany the major exhibition at Dulwich Picture Gallery in June 2005, this long overdue and much requested book, (there has not been a substantial Sutherland show in London since 1982), comprises eighty oils and works on paper drawn from public and private collections throughout the UK and offers a selective interpretation of his painting rather than the usual career retrospective. The exhibition opens at Dulwich Picture Gallery on 16th June to 25th September 2005 and will travel to the Djanogly Gallery in Nottingham in the autumn. 904009490X

'The Decembrists' is an unfinished novel by Leo Tolstoy, who only managed to write three chapters before abandoning it. The hero of his new book was to have been a participant in the abortive Decembrist Uprising of 1825, released from Siberian exile after 1856. It was intended as a sequel to War and Peace.

An internationally renowned scholar examines an episode in the chaos & retributive strife that engulfed France during the liberation at the end of World War II.

Low-intensity conflict (LIC) often has been viewed as the wrong kind of warfare for the American military, dating back to the war in Vietnam and extending to the present conflicts in Iraq and Afghanistan. From the American perspective, LIC occurs when the U.S. military must seek limited aims with a relatively modest number of available regular forces, as opposed to the larger commitments that bring into play the full panoply of advanced technology and massive commitments of troops. Yet despite the conventional view, U.S. forces have achieved success in LIC, albeit "under the radar" and with credit largely assigned to allied forces, in a number of counterguerrilla wars in the 1960s."Scenes from an Unfinished War: Low-Intensity Conflict in Korea, 1966-1969" focuses on what the author calls the Second Korean conflict, which flared up in November 1966 and sputtered to an ill-defined halt more than three years later. During that time, North Korean special operations teams had challenged the U.S. and its South Korean allies in every category of low-intensity conflict - small-scale skirmishes along the Demilitarized Zone between the two Koreas, spectacular terrorist strikes, attempts to foment a viable insurgency in the South, and even the seizure of the USS Pueblo - and failed. This book offers a case study in how an operational-level commander, General Charles H. Bonesteel III, met the challenge of LIC. He and his Korean subordinates crafted a series of shrewd, pragmatic measures that defanged North Korea's aggressive campaign. According to the convincing argument made by "Scenes from an Unfinished War," because the U.S. successfully fought the "wrong kind" of war, it likely blocked another kind of wrong war - a land war in Asia. The Second Korean Conflict serves as a corrective to assumptions about the American military's abilities to formulate and execute a winning counterinsurgency strategy. Originally published in 1991. 180 pages. maps. ill.

A modern classic of epic fantasy, the Night Angel trilogy is a New York Times and multi-million copy bestselling epic fantasy series where a young boy trains under the city's most legendary and feared assassin, Durzo Blint. This box set contains the completed trilogy: The Way of Shadows, Shadow's Edge, and Beyond the Shadows. For Durzo Blint, assassination is an art -- and he is the city's most accomplished artist. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly -- and to take risks. Risks like apprenticing himself to Durzo Blint. But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics -- and cultivate a flair for death. The New York Times bestseller The Way of Shadows launched Brent Weeks' Night Angel Trilogy - a modern classic of epic fantasy. Now, get the complete story in one boxed set.