Theorizing vision and power at the intersections of the histories of psychoanalysis, media, scientific method, and colonization, Scenes of Projection poaches the prized instruments at the heart of the so-called scientific revolution: the projecting telescope, camera obscura, magic lantern, solar microscope, and prism. From the beginnings of what is retrospectively enshrined as the origins of the Enlightenment and in the wake of colonization, the scene of projection has functioned as a contraption for creating a fantasy subject of discarnate vision for the exercise of “reason.” Jill H. Casid demonstrates across a range of sites that the scene of projection is neither a static diagram of power nor a fixed architecture but rather a pedagogical setup that operates as an influencing machine of persistent training. Thinking with queer and feminist art projects that take up old devices for casting an image to reorient this apparatus of power that produces its subject, Scenes of Projection offers a set of theses on the possibilities for felt embodiment out of the damaged and difficult pasts that haunt our present.

A revised and expanded new edition of the definitive English work on map projections. The revisions take into account the huge advances in geometrical geodesy which have occurred since the early years of satellite geodesy. The detailed configuration of the geoid resulting from the GEOS and SEASAT altimetry measurements are now taken into consideration. Additionally, the chapter on computation of map projections is updated bearing in mind the availability of pocket calculators and microcomputers. Analytical derivation of some map projections including examples of pseudocylindrical and polyconic projections is also covered. Work undertaken in the USA and USSR on the creation of suitable map projections obtained through numerical analysis has been included. The book concludes with a chapter on the abuse and misrepresentation of map projections. An invaluable reference source for professional cartographers and all those interested in the fundamental problems of mapping the Earth.

Three girls battle a dangerous secret society that will do anything to protect an ancient Greek power in this murder mystery for fans of Dan Brown. In ancient Rome, it was whispered that the great philosopher Plotinus could project his soul into another human being in a ritual that hinged on a kiss. In present-day Delphi, California, the sole remaining guardians of the Plotinus Ability hide in plain sight as members of the exclusive Oculus Society—until their leader, Octavia Harris, is killed in her own home. With no leads on the case, Octavia's daughter, Gretchen, vows to find her mother's murderer at any cost. One piece of the puzzle falls into place when Gretchen's best friend, Jessica Shaw, discovers the Plotinus Ability. Skeptical but curious, the two can't resist trying the ritual, but they're not alone. Ariel Miller, an outsider with a well-known hatred of all things Oculus Society, films the friends exchanging their first kiss, and it isn't long before the video goes viral. As Ariel's guilt and the girls' suspicions of her mount, the three must forget the past and trust one another if they are to find the murderer still in their midst.

A bold argument that “and” always means “&,” the truth-functional sentential connective. In this book, Barry Schein argues that “and” is always the sentential logical connective with the same, one, meaning. “And” always means “&,” across the varied constructions in which it is tokened in natural language. Schein examines the constructions that challenge his thesis, and shows that the objections disappear when these constructions are translated into Eventish, a neo-Davidsonian event semantics, and, enlarged with Cinerama Semantics, a vocabulary for spatial orientation and navigation. Besides rescuing “and” from ambiguity, Eventish and Cinerama Semantics solve general puzzles of grammar and meaning unrelated to conjunction, revealing the book's central thesis in the process: aspects of meaning mistakenly attributed to “and” are discovered to reflect neighboring structures previously unseen and unacknowledged. Schein argues that Eventish and Cinerama Semantics offer a fundamental revision to clause structure and what aspects of meaning are represented therein. Eventish is distinguished by four features: supermonadicity, which enlarges verbal decomposition so that every argument relates to its own event; descriptive event anaphora, which replaces simple event variables with silent descriptive pronouns; adverbialization, which interposes adverbials derived from the descriptive content of every DP; and AdrPs, which replace all NPs with Address Phrases that locate what nominals denote within scenes or frames of reference. With 'And,' Schein rehabilitates an old rule of transformational, generative grammar, answering the challenges to it exhaustively and meticulously.

This volume contains the proceedings of the Fifth International Conference on Database Systems for Advanced Applications (DASFAA '97). DASFAA '97 focused on advanced database technologies and their applications. The 55 papers in this volume cover a wide range of areas in the field of database systems and applications - including the rapidly emerging areas of the Internet, multimedia, and document database systems - and should be of great interest to all database system researchers and developers, and practitioners.