When Everyday Jews was first published in Poland in 1935, the Jewish Left was scandalized by the sex scenes, and I. B. Singer complained that the novel was too bleak to be psychologically credible. Yet within two years Perle’s novel was heralded as a modern Yiddish masterpiece. Offering a unique blend of raw sexuality and romantic love, thwarted desire and spiritual longing, Everyday Jews is now considered Perle’s consummate achievement. The voice of Mendl, the novel's 12-year-old narrator, is precisely captured by this artfully simple translation. Mendl's impoverished and dysfunctional family struggles to survive in a nameless Polish provincial town. In his unsettled world, most ordinary people yearn to be somewhere else—or someone else. As Mendl journeys to adulthood, Perle captures the complex interplay of Christians and Jews, weekdays and Sabbaths, town and country, dream and reality, against a relentless and never-ending battle of the sexes.

Will American Jews survive their success? Or will the United States' uniquely hospitable environment lead inexorably to their assimilation and loss of cultural identity? This is the conundrum that Seymour Lipset and Earl Raab explore in their wise and learned book about the American Jewish experience. Jews, perhaps more than any ethnic or religious minority that has immigrated to these shores, have benefited from the country's openness, egalitarianism, and social heterogeneity. This unusually good fit, the authors argue, has as much to do with the exceptionalism of the Jewish people as with that of America. But acceptance for all ancestral groups has its downside: integration into the mainstream erodes their defining features, diluting the loyalties that sustain their members. The authors vividly illustrate this paradox as it is experienced by American Jews today--in their high rates of intermarriage, their waning observance of religious rites, their extraordinary academic and professional success, their commitment to liberalism in domestic politics, and their steadfast defense of Israel. Yet Jews view these trends with a sense of foreboding: "We feel very comfortable in America--but anti-Semitism is a serious problem"; "We would be desolate if Israel were lost--but we don't feel as close to that country as we used to"; "More of our youth are seeking some serious form of Jewish affirmation and involvement--but more of them are slipping away from Jewish life." These are the contradictions tormenting American Jews as they struggle anew with the never-dying problem of Jewish continuity. A graceful and immensely readable work, Jews and the New American Scene provides a remarkable range of scholarship, anecdote, and statistical research--the clearest, most up-to-date account available of the dilemma facing American Jews in their third century of citizenship.

"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--

Surveying the history of the Jewish Libyan community, contends that the ambiguous relationship of Jews and Muslims in Libya from 1711 to the 1940s is rooted in Islam, which sees the Jew either as a creature of the handiwork of the blessed, or as a non-believer to be humbled. This ambivalence was maintained by the Ottoman rule (1835-1911) which regarded the Jews and Muslims as separate and unequal communities. In contrast, during the Italian occupation (1911-43), Libyan nationalism grew, and the Jews were associated with Italy. Ch. 7 (pp. 97-122), "The Anti-Jewish Riots of 1945", contends that the 1945 riot against Tripoli's Jews (during the British occupation, 1943-45) may be viewed as an expression of the will to restore Muslim sovereignty, using the Jew as a representative of the hostile European rule.

"A feast for the eyes...bringing alive a long vanished world that's still eerily present."--Daniel Czitrom, New York Post The premiere national Jewish newspaper has opened its never-before-seen archives, revealing a photographic landscape of Jews in the twentieth century and beyond. This extraordinary volume features classic photographs of the history one has learned to associate with the Jewish Daily Forward--Lower East Side pushcarts, Yiddish theater, labor rallies--along with gems no one would expect. The book also features essays by Leon Wieseltier, Roger Kahn, and Deborah Lipstadt, and a rousing introduction by Pete Hamill.

An analysis of Texan oral narratives that focuses on the significance of their social context. Although the tales are all from Texas, they are considered representative of oral storytelling traditions in their relationships between story, performance and event.