They are known as the Brides of Christ. They wear all-black robes tied with heavy rosary beads and crucifixes that would make any child wince. They cover their heads with vast, winglike hoods. They have no legs but roll along on silent casters. They do not flinch from handing out swift and painful smacks with a switch, cane, or paddle. With photographs of these secretive sisters doing a few of their favorite things—frolicking in the sea, shooting guns, and lying prostrate on the floor, among them—Scary Nuns explores what goes on behind closed convent doors. Included are brief histories of some of the most notorious nuns and orders, as well as thoughts from famous thinkers on what it is to be a nun, that illuminate the mysteries of these wimple-wearing women who roam Gothic cathedrals around the world. Nuns are scary. You don't have to be a lapsed Catholic to think so. But if you are, you'll find Scary Nuns terrifying.

Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.

Since the first scandals broke in the mid-1980s, the sexual misconducts of priests have cost the Catholic Church in America more than $4 billion in compensation settlements and incalculable damage to its reputation. Although their crimes have attracted far less attention, predatory nuns have also caused harm. The depredations of these nuns took place in convent novitiates, orphanages, boarding schools for Native Americans, and in Catholic schools, both elementary and secondary. Their victims, male and female, ranged in age from six-year-olds to young adults. This book focuses on the criminal behavior of North American nuns and the responses from church leadership. Mothers superior were outspoken in their refusal to accept responsibility for the crimes committed under their watch, and their inclination was to close ranks and protect the predators, endangering many children and young people in the process. The complainants, on the other hand, were considered nuisances to be pushed aside with the least amount of exposure and expense possible. Straightforward and informative, this text begins by exploring the nuns' vow of chastity and its relationship with human sexuality, followed by dozens of case studies detailing the sexual abuse that nuns committed in various settings.

Impressionistic and dreamy, a nine-year-old girl immediately feels that she might be called by God when a Catholic missionary speaks to her third grade class at a Catholic school. The idea of this calling embeds itself into her, haunting her through elementary and high school, after which she chooses to enter the convent. Her story follows the five years she spent as an Adrian Dominican nun struggling to balance her desire for a secular life with her great fear of turning her back on God's call. Her stories are sad as well as joyous, inspiring as well as unsettling.

Maureen Swanson is the scourge of the neighborhood. At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .

One of Lady Antonia Fraser's gripping Jemima Shore mysteries, set in a secluded nunnery. 'I lit the candle and began rather gingerly to climb up the ladder. Then I heard a distinct sound above my head. A scrape on the floor, an irregular jarring on the floor above my head, like something rocking . . .' A nun is dead - her emaciated corpse has been discovered locked in the tower of Blessed Eleanor's Convent. The tragic consequence of a neurotic young woman committing to a life of isolation and piety, the inquest concludes. But this young woman held unusual power over the convent - power she was planning to use. Jemima Shore tries to keep her distance from the case, but when her lover cancels their holiday she finds herself reluctantly getting involved. A violent attack in the dead of night and another death convinces her that the convent is not the haven of peace it appears to be. Suspicion and fear hang heavy in the air but how do you solve a murder no-one will admit happened?

The New York Times–bestselling author looks at the sixties generation, and how he and his seventy-five million accomplices made America what it is today. A onetime editor-in-chief of National Lampoon who also spent years reporting for Rolling Stone and The Atlantic Monthly, P. J. O’Rourke is known as a conservative-minded political humorist and author of such bestsellers as Parliament of Whores. Not everyone knows that he was once a dedicated Marxist hippie type—living up to every stereotype of his postwar generation. In this book, at once a social history and a personal memoir (albeit with some impaired memory involved), he explores, with both fiercely biting wit and fondness, the mess that the baby boomers made, and the impact they’ve had on our world. “Dry wit that makes every chapter a delight . . . As a cultural analyst, O’Rourke’s ability and willingness to simultaneously lampoon and celebrate himself and his generation are unequaled.” —Publishers Weekly “A terrific American memoir, in tone a beguiling mix of Jean Shepherd and Animal House.” —Christopher Buckley, author of Boomsday “Simultaneously hilarious and brainy . . . holds a cracked magnifying glass up to the generation of Americans born between the end of World War II and the early 1960s. Sifting through demographic and economic data and combining the results with generous portions of personal memories, O’Rourke finds much to deplore in the boomer character, but even more to cherish and celebrate.” —Chicago Tribune “A comedic and caustic cautionary tale for future generations—and, for those of us who are Boomers, a nostalgic and hilarious diversion.” —NPR