"Cultural differences between the families of Mireille, daughter of a French diplomat, and Ousmane, son of a poor Muslim family in Senegal, threatens to destroy their marriage."--Amazon.com viewed Dec. 12, 2022.

The fantastic story of a young girl who must run for her life because she has brought bad luck to her village... classic adventure-fantasy by an author with a fabulous and original storytelling voice.

(Berklee Guide). Take your songwriting to the next level! This book breaks down the processes used by hit songwriters and dives deeply into the craft of songwriting. Discover the tools and techniques for melody, harmony, lyrics, and form behind so many great songs. You will access the magic and come out more connected to your heart and craft. Online audio tracks illustrate these techniques in context, showing how they affect your song's overall impact.

Set in the post-Civil War South on Blue Brook Plantation, Scarlet Sister Mary tells the story of Mary, a fifteen-year-old orphan girl in a close-knit Gullah community. As she prepares to marry the charismatic but unreliable July, Mary finds herself torn between tradition and her own desires. Love, community, and superstition intertwine as Mary learns who and what truly matter to her. Scarlet Sister Mary, written at the height of the Harlem Renaissance, is notable for its depiction of African-American life, particularly the Gullah people; and especially so because it was written by a white author, something very unusual for the era. It won Julia Peterkin the Pulitzer Prize for Fiction in 1929. The Pulitzer was not without controversy. The jury chair had spoken publicly of another candidate, Victim and Victor by John Rathbone Oliver, as his favorite for the prize, which was reported in Publishers’ Weekly as being the actual announcement of the winner. Shortly afterward, The New York Times published an article by the head of the Advisory Board refuting Publishers’ Weekly. Ultimately, the Advisory Board chose Scarlet Sister Mary as the winner and, subsequently, the jury chair resigned. Despite this, the novel remains a noteworthy part of the early 20th-century conversation on race and Southern literature. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

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The book is a comparative analysis of recent films by African male and female filmmakers and literary works by female African authors from Senegal, Mali, the Ivory Coast, Nigeria, Togo and Burkina Faso. The films are Finzan (Cheikh Oumar Sissoko, 1990), Women with Open Eyes (Anne-Laure Folly, 1994), and Faces of Women (Desire Ecare, 1985). In addition, the manuscript includes the study of Women are Different (Flora Nwapa, 1986), Double Yoke (Buchi Emecheta, 1983) and So Long a Letter (Mariama Ba, 1980). Curry analyzes the homogeneous themes such as oppression, sabotage, cultural alienation, exploitation, sexual bargaining and the changing dynamics of sexual relationships that appear through these productions. She concludes that African women continue to undergo a metamorphosis. This transformation is the result of a blend of traditionally African and European influences.Modernist terms such as â oefeminismâ and â oewomanismâ intended to capture the emerging African women as subjects and not objects of study, are avoided. In so doing, a theoretical approach is used, based on the authorâ (TM)s own experiences in West Africa. Then, building from that premise, Curry analyzes the novels and films within this context to either prove or disprove her theories. Enthusiasts without past experiences in the area of African literature and African films, and also students and scholars in African studies, specifically in comparative literature, anthropology, womenâ (TM)s studies, sociology, African history, film studies and social studies, will all find this book of great interest. In raising the issues that West African women face, this book, as the title suggests, aims to awaken other African women and indeed a western readership to the fast changing lives of women in Africa. Georgina Holmes in African Research and Documentation No. 102, 2007