"This volume ... is about modern Scandinavian glass that depends on color for its success. ...The separate volume, entitled Smoke & Ice, includes examples of glass by many of the same designers and companies, but without the color"--P. [6].

A sweeping survey of the Scandinavian glass produced in 20th century Finnish and Swedish communities, including Orrefors, Iittala, Johansfors, Kosta, and Nuutajarvi. Over 330 color photos illustrate the histories of the factories and artisans. A bibliography, index, and current market values in the captions are provided.

Scandinavian design in in the mid-twentieth century combined the fundamentals of craftsmanship, quality, subtlety, and a relationship to the natural surroundings. Here is glass and ceramics from some of the leading designers of the era, Friberg, Lindberg, Nylund, K**ge, Hald, Palmquist, Wirkkala, Sarpaneva, and Lindstrand, and the manufacturers, Rrstrand, Gustavsberg, Arabia, Saxbo, Palshus, Orrefors, Kosta, and Iittala. Over 500 color photos illustrate this beautiful volume, and a price guide makes it a great tool for collectors.

This book surveys the entire range of Scandinavian glass companies and designers. The first of two volumes divided by color, this book features the dark tones of Smoke and the clear crystal of Ice. Hundreds of color photographs chronicle the creations that arose out of Sweden, Denmark, Finland, and Norway. It includes detailed captions, signatures and labels, company histories, designer biographies, a comprehensive bibliography, index, and price guide.

"Despite the high level of collector interest in modern Scandinavian art glass, there have been few if any publications devoted exclusively to Swedish glass made from 1930-1970, and none that have attempted to provide the collector with the background needed to fully understand the forces that determine prices in this market. The author sets forth a concise history of the two major Swedish glass producers during their peak decades, identifies those artists and designs that are of primary importance, and assigns estimated values to these works. The focus of this work is on limited production, "high end" designs, rather than on the commercial output of these firms." "The text is illustrated with color photos from the author's own outstanding collection as well as a number of illustrations supplied by Bo Knutsson Art & Antiques, perhaps Sweden's leading dealer in 20th century Swedish glass."--BOOK JACKET.

This stunning book examines design exchanges between the United States and Scandinavia over nearly a century and explores the fascinating reasons why Scandinavian design has continued to resonate with Americans. Focusing on the extensive influence of Scandinavian design in the United States, this book shows how Nordic ideas about modern design and the objects themselves had an indelible impact on American culture and material life. It also considers America's influence on Scandinavian design, showing how cultural exchange is mutual by nature. In addition to familiar material like Danish furniture and Swedish glass, readers will learn about America's little-known "Viking Revival" style; the work of Howard Smith, an African-American artist who immigrated to Finland in the 1960s; and the myriad ways Scandinavian toys and household goods helped shape American child-rearing practices. The perfect addition to any Danish modern coffee table, this elegant book traces how Scandinavian design became an integral part of what is considered "American design." Published with the Los Angeles County Museum of Art

These thick-walled, asymmetrical, and freeform pieces are a visual feast, presented in a rich format with 563 color prints sure to delight anyone interested in Tiffin glass, fifties glass, art glass, or just wonderful examples of modern decorative arts. Valuable information including color and optics identification guides will make this book a hit among Tiffin glass collectors and help introduce many to the modern designs of this important American glass company. Some of the pieces look like Steuben and are of the same high quality. Others are easily mistaken for fifties Scandinavian glass because creative and talented Swedish glassmakers worked in Tiffin, Ohio at mid-century.