Scandinavian design in in the mid-twentieth century combined the fundamentals of craftsmanship, quality, subtlety, and a relationship to the natural surroundings. Here is glass and ceramics from some of the leading designers of the era, Friberg, Lindberg, Nylund, K**ge, Hald, Palmquist, Wirkkala, Sarpaneva, and Lindstrand, and the manufacturers, Rrstrand, Gustavsberg, Arabia, Saxbo, Palshus, Orrefors, Kosta, and Iittala. Over 500 color photos illustrate this beautiful volume, and a price guide makes it a great tool for collectors.

A sweeping survey of the Scandinavian glass produced in 20th century Finnish and Swedish communities, including Orrefors, Iittala, Johansfors, Kosta, and Nuutajarvi. Over 330 color photos illustrate the histories of the factories and artisans. A bibliography, index, and current market values in the captions are provided.

"This volume ... is about modern Scandinavian glass that depends on color for its success. ...The separate volume, entitled Smoke & Ice, includes examples of glass by many of the same designers and companies, but without the color"--P. [6].

This book surveys the entire range of Scandinavian glass companies and designers. The first of two volumes divided by color, this book features the dark tones of Smoke and the clear crystal of Ice. Hundreds of color photographs chronicle the creations that arose out of Sweden, Denmark, Finland, and Norway. It includes detailed captions, signatures and labels, company histories, designer biographies, a comprehensive bibliography, index, and price guide.

Wax : "Beauties from the beehive"--Shell work : "Flowers from the sea" -- Hair work : "Hair today, hair tomorrow" -- Nature contained : "Birds, dogs, frogs, and monkeys too!" -- Feather work : "Birds of a feather" -- Beautiful in death : "Skeleton leaves and phantom bouquets" -- Wool work : "Have you any wool?" -- Glass whimsies : "Confections in glass" -- Fancy that! : "Paper, muslin, silk, bead, and seed work" -- Automata : "Musical mechanical masterpieces" -- Esoterica -- Gone but not forgotten.

"True Nordic" presents a comprehensive look at more than nine decades of Nordic and Scandinavian aesthetic influence in Canadian craft, design and industrial production. The book offers a broad historical survey of Canadian-made ceramics, furniture, textiles and metalware inspired by the aesthetics of Denmark, Norway, Sweden, Finland and Estonia. The design culture and movements of the Nordic countries have been the most significant in the development of Canadian design sensibility since 1920. Scandinavian design resonated with Canadians and was viewed as appropriate for the realities of domesticity and modernizing life. Praised for its material sensitivity and regarded as both modern and humble, progressive but quiet, Scandinavian and Nordic design resonated with Canada's ongoing efforts to find a fitting stylistic and culturally appropriate language. "True Nordic" includes essays from George Baird, Rachel Gotlieb, Mark Kingwell and Michael Prokopow.