Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars. Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.

Hailed as one of the most talented playwrights to have emerged in the late 2000s, Mike Bartlett's diverse range of plays strike at the heart of the various crises predominant in the early twenty-first century. Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume not only provides analysis of some of Bartlett’s best-known works (Cock, Doctor Foster, King Charles III, and Albion), but also includes new interviews with Bartlett and some of his closest and oft relied upon collaborators. In this book, Bartlett’s plays and television series are grouped together thematically, allowing the reader to observe the cross-pollination between his works on the stage and screen. The book also includes an introductory biographical chapter that discusses early influences on his writing (Harold Pinter, Mark Ravenhill, Tony Kushner, and Quentin Tarantino), his time in the Young Writers Programme at the Royal Court, and his work with the Apathists. Routledge Modern and Contemporary Dramatists is a series of innovative and exciting critical introductions to the work of internationally pioneering playwrights, giving undergraduate students an ideal point of entry into these key figures in modern drama.

When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate... Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres. Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.

Following a nuclear war that drove the survivors to seek refuge underground for 100 years, humanity is finally making a comeback—or so it appears. As people work together to rebuild their communities, both big and small, little do they realize they’re facing an even bigger threat than the one that nearly doomed their civilization. And this time the danger isn’t from Earth. Fleeing a deadly global conflict on their own planet, a steady stream of refugees from Venus is showing up on our planet, wreaking havoc wherever they go. An elite group known as Sentry is charged with fighting the aliens and keeping their existence a secret from the general public. While Sentry has been successful so far, the Venusians are about to raise the stakes. Foremost amongst the Sentry agents is Ryland Ambrose, an elite warrior with exceptional abilities who was recruited into the program as a young child. As he battles against the increasingly dire alien menace, Ryland is also wrestling with a host of internal demons. If he fails to overcome them, not only could his own life be in peril, he could also jeopardize the entire mission, plunging Earth once more into a fiery maelstrom of chaos and death.

The fact is that some of us like women and some like men and that's fine that's good in fact that's good, a good thing, but it seems to me that you've become confused. John is happy in himself, and with his boyfriend, until one day he meets the woman of his dreams. In a world full of endless possibilities why must we still limit ourselves with labels? Mike Bartlett's razor sharp play about love and identity redefines the battle of the sexes as we know it. Cock premiered at the Royal Court Theatre, London, on 13 November 2009. This new and revised edition was published to coincide with the West End production in 2022, starring Jonathan Bailey, Taron Egerton and Jade Anouka.

In Killology, players are rewarded for torturing victims, scoring points for “creativity”. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. “There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.”