Scotland, 1504. Lady Janet Fraser didn’t earn her reputation as Scotland’s most notorious sinner by following the rules. A former mistress of King James IV, she’s content to live her life from pleasure to pleasure. Even if those pleasures—and people—are forbidden. People like Sir Lachlan Ross, given the moniker The Highland Beast, a man as intimidating in battle as he is in size. A beast she discovers secretly wishes to be tamed and submit to her dominance. Or like her new ward, Lady Marjorie Hepburn, a convent-raised virgin with a desire to be taught all the sensual secrets of the marriage bed. Things that Janet is fully willing to teach her, again and again. There’s much for her to learn. And forbidden pleasures like the three of them together in one bed. But Lachlan and Marjorie both have ties to the king. As wicked lusts are indulged and affection unexpectedly grows into love, breaking the rules this time could mean all of their undoing...

This true story of sex, murder, and corruption in 18th century Virginia centers on Nancy Randolph, an attractive woman from a wealthy and socially prominent family, who lived with her sister and brother-in-law, Richard Randolph. After rumors that Nancy bore Richard's child, and that he killed the child, a trial ensued with Patrick Henry defending Richard. Maps and illustrations.

“Have you no decency?” Straight-laced missionary Sarah Fisher has never met a man like Captain Martin Bouchard. He is the most beautiful person—male or female—she’s ever seen. Overwhelmingly masculine, elegantly attired despite months at sea, he is in complete command of everyone and everything around him: everyone, that is, except Sarah. But that’s about to change because Sarah has bought Bouchard’s mercy with the only thing she has to sell: her body. “None at all . . .” In spite of her outrageous offer, Martin has no doubt Sarah is a virgin, and a most delectable one at that. But instead of bedding her, he finds himself staring down the muzzle of his own pistol. Clearly, the longer she stays on his ship, the greater the chances that she’ll end up its damned captain! Most infuriating of all, she looks past his perfect exterior to the wounded man inside. Can Martin outrun his scandalous past in time to have a future with the first woman to find and capture his heart? Praise for The Outcasts series “Fans of Amanda Quick’s early historicals will find much to savor.” —Booklist (Starred Review) “Wicked repartee, savvy wit, and energetic libidos.” —Publishers Weekly “A remarkably resourceful heroine who can more than hold her own against any character invented by bestselling Bertrice Small . . . deliciously fun retro flavor.” —Booklist (Starred Review) “Sexy and wildly entertaining.” —Bookpage “Spencer shines . . . an author to watch.” —Kirkus Reviews

Volume 1: Translations of the Bible take place in the midst of tension between politics, ideology and power. With the theological authority of the book as God’s Word, not focusing on the process of translating is stating the obvious. Inclinations, fluency and zeitgeist play as serious a role as translators’ person, faith and worldview, as do their vocabulary, poetics and linguistic capacity. History has seen countless retranslations of the Bible. What are the considerations according to which Biblical retranslations are being produced in current, 21st century, contexts? From retranslations of the Hebrew Bible to those of the Old and New Testaments, to mutual influences of Christian and Jewish translational traditions – the papers collected here all deal with the question of what is to be [re]gained with the production of a new translation where, at times, many a previous one has already existed. Volume 2: Times are changing, and with them, the norms and notions of correctness. Despite a wide-spread belief that the Bible, as a “sacred original,” only allows one translation, if any, new translations are constantly produced and published for all kinds of audiences and purposes. The various paradigms marked by the theological, political, and historical correctness of the time, group, and identity and bound to certain ethics and axiomatic norms are reflected in almost every current translation project. Like its predecessor, the current volume brings together scholars working at the intersection of Translation Studies, Bible Studies, and Theology, all of which share a special point of interest concerning the status of the Scriptures as texts fundamentally based on the act of translation and its recurring character. It aims to breathe new life into Bible translation studies, unlock new perspectives and vistas of the field, and present a bigger picture of how Bible [re]translation works in society today.