This book analyses how the outrage caused by controversial plays or productions reflects the moral standards of the time.

New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions.

This text compares theatre texts to apartments where tenants may make considerable changes. Translated texts should be seen in relation to the tenants, who respond to various codes in the surrounding societies in their effort to integrate the texts into a sociocultural discourse of their time.

Named one of the Best Romances of November by the Washington Post! Together they may create a scandal worthy of the stage, but can their love last after the final curtain falls…? Successful playwright Maggie Delamere has no interest in the flirtations of noblemen like Cameron, Viscount Marwood. She once paid dearly for a moment of weakness…and vows to rebuff the wildly persistent—and irritatingly handsome—scoundrel at every turn. But when pressure to deliver a new play hampers her creativity, an invitation to use his country estate as a writer’s retreat is too tempting to resist.... For years, Cam has admired Maggie’s brilliant work and he can’t pass up the opportunity to discover if the beautiful, mysterious playwright is as passionate and clever as the words that flow from her quill. He’s never offered a lady his bed without being in it, but if it means loosening Maggie’s pen—and her inhibitions—he’ll do exactly that. But soon Cam’s plans for seduction become a fight for Maggie’s heart. He’s more than the scandalous, carefree rake society believes him to be…and she’s the only woman who has ever noticed. “Leigh consistently crafts whip-smart heroines and irresistible heroes delivered in packages bursting with wicked wit, feminist leanings, and sex positivity... while maintaining assiduous historical accuracy, she delivers intoxicating yarns that bulldoze tropes and flip gender expectations on their head.” — Entertainment Weekly

This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.

This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.