A pioneering call for a new understanding of scale across the humanities How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? In this way, we routinely transform reality into things already outside of direct human experience, things we hardly comprehend even as we speak of DNA, climate effects, toxic molecules, and viruses. How do we find ourselves with these disorienting layers of scale? Enter Scale Theory, which provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale refigures reality—that teaches us how to think in terms of scale, no matter where our interests may lie. Joshua DiCaglio takes us on a fascinating journey through six thought experiments that provide clarifying yet provocative definitions for scale and new ways of thinking about classic concepts ranging from unity to identity. Because our worldviews and philosophies are largely built on nonscalar experience, he then takes us slowly through the ways scale challenges and reconfigures objects, subjects, and relations. Scale Theory is, in a sense, nondisciplinary—weaving together a dizzying array of sciences (from nanoscience to ecology) with discussions from the humanities (from philosophy to rhetoric). In the process, a curious pattern emerges: attempts to face the significance of scale inevitably enter terrain closer to mysticism than science. Rather than dismiss this connection, DiCaglio examines the reasons for it, redefining mysticism in terms of scale and integrating contemplative philosophies into the discussion. The result is a powerful account of the implications and challenges of scale, attuned to the way scale transforms both reality and ourselves.

In the Fourth Edition of Scale Development, Robert F. DeVellis demystifies measurement by emphasizing a logical rather than strictly mathematical understanding of concepts. The text supports readers in comprehending newer approaches to measurement, comparing them to classical approaches, and grasping more clearly the relative merits of each. This edition addresses new topics pertinent to modern measurement approaches and includes additional exercises and topics for class discussion. Available with Perusall—an eBook that makes it easier to prepare for class Perusall is an award-winning eBook platform featuring social annotation tools that allow students and instructors to collaboratively mark up and discuss their SAGE textbook. Backed by research and supported by technological innovations developed at Harvard University, this process of learning through collaborative annotation keeps your students engaged and makes teaching easier and more effective. Learn more.

The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern "scale-space theory" is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of "generalization", the central idea being that a map in order to be useful has to be a "generalized" (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic "scale-space sin gularities" in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.

For many years, Karel Berka has worked at some of the central problems of the theory of the sciences. At once a logician, a mathematician, a careful student of the physical sciences and the social sciences, and a sharp but sympathetic critic of the major philosophies of science in this century, Berka brings to this treatise on measurement both his technical mastery and his historical sensitivity. We appreciate his careful analysis of his predecessors, notably Helmholtz, Campbell, Holder, Bridgman, Camap, Hempel, and Stevens, and of his contemporaries such as Brian Ellis and also Patrick Suppes and J. L. Zinnes. The issues to be clarified are familiar but still troubling: how to justify the conceptual transition from classification to a metric; how to explore ways to provide a quantitative understanding of a qualitative concept; indeed how to understand, and thereby control, the Galilean enthusiasm "to measure what is measurable and to try to render measurable what is not so as yet".

Comprehensive textbook based on the Chord Scale Theory as taught at the Berklee College of Music.

About the Book After many years of music exploration, particularly when it comes to scales, Binary Interval Scale Theory was born. Examining what scales are and ways to use them, this book will appeal to technical musicians as well as musicians with writer's block looking for a new sound. As scary as it can be putting your voice out in the world, risking criticism of your work by your peers, the author believes strongly that this is a unique visual approach to understanding musical scales with the use of pattern representation. What sets this scale book apart from all the others is its visual circular pattern showing you the pattern each scale makes. Hopefully this gives the music world a new and alternative perspective and a new sound. About the Author As a child, Michael Pfortmiller was a part of Boy Scouts, Police Explorers, extreme in-line skating, and musical experimentation. As an adult he is into musical experimentation, Auto-CAD CAM & CNC work that is a hobby and profession, billiards, and pool. Pfortmiller is also interested in research of science, history, psychology, philosophy, religions, sacred geometry, the paranormal, UFOs, and conspiracies. He has an open mind and likes playing with ideas and looking in from different perspectives. He also enjoys shows that are odd, like Tales From the Darkside, Twilight Zone, Outer Limits, Stranger Things...he could go on.