Britain is sick and it needs saving. Covid-19 has brought death, disruption and disorder. It has revealed fundamental failures in public policy and our approach to health. For years, the same failures have perpetuated a host of modern plagues - long-running deadly epidemics in diabetes, depression and heart disease. These plagues pose systemic risks to society itself. In this timely book, Yuille and Ollier envisage a society that always puts the health of citizens first: the ‘Health Society’. The time for dithering and tinkering has passed. Prevention of disease is a task for all branches of government – not just the NHS but also for every workplace, employer, community and citizen. The ‘Health Society’ means working in radically new ways to extend our healthy lives and sustainably increase national prosperity. Saving sick Britain follows the science and lays down a challenge to us all: are we ready to make the change required to end these modern plagues? In answering the question the book helps steer the reader towards rethinking what both 'prevention' and ‘health’ mean in modern Britain.

An urgent call to reform Britain's sickness culture, offering social--not medical--solutions.

Illness in childhood was common in early modern England. Hannah Newton asks how sick children were perceived and treated by doctors and laypeople, examines the family's experience, and takes the original perspective of sick children themselves. She provides rare and intimate insights into the experiences of sickness, pain, and death.

The life expectancy of British workers rose dramatically during the nineteenth century, a period when workingmen routinely began to consult doctors. While rates of sickness fell, the length of episodes of disease and injury became more protracted. Instead of dying at relatively young ages, workingmen survived longer and experienced more sickness. In Sick, Not Dead, James C. Riley traces these developments and examines the arrangements made for providing medical care to workers. Drawing on the work attendance and sick visit records of British friendly societies, Riley explores how these organizations provided workingmen with access to doctors and regulated compensation for wages lost due to sickness. He finds in this period the roots of today's doctor-patient relationship. In the 1870s, when a small number of patients could choose among a relatively large number of doctors, patients demanded and got frequent and convenient consultations for low fees. But in the 1890s, working people sacrificed their advantage: as the number of patients increased, they began accepting their doctors' excuses for care they previously had rejected as inattentive or deficient. In the 1910s and 1920s, the doctors improved their own organization and used it to seize control of the fee schedule. Using the extensive claims records of the societies, Riley also explores the regional patterns of sickness in Britain from 1870 to 1910 and addresses the question of how policies that promoted lower mortality affected rates and duration of sickness.

James believed that philosophy was meant to articulate, and help answer, a single existential question, one which lent itself to the title of one of his most famous essays: "Is life worth living?" Through examination of an array of existentially loaded topics covered in his works-truth, God, evil, suffering, death, and the meaning of life-James concluded that it is up to us to make life worth living. He said that our beliefs, the truths that guide our lives, matter-their value and veracity turn on the way they play out practically for ourselves and our communities. For James, philosophy was about making life meaningful, and for some of us, liveable. This is the core of his "pragmatic maxim," that truth should be judged on the bases of its practical consequences. Kaag shows how James put this maxim into use in his philosophy and his life and how we can do so in our own. .

"**MOJO MAGAZINE'S BOOK OF THE YEAR** The Hollywood Brats are the greatest band you've never heard of. Recording one near-perfect punk album in 1974, they were tragically ahead of their time. With only a guitar, a tatty copy of the Melody Maker and his template for the perfect band, Andrew Matheson set out, in 1971, to make musical history. His band, The Hollywood Brats, were pre-punk prophets - uncompromising, ultra-thin, wild, untameable and outrageous. But thrown into the crazy world of the 1970s London music scene, the Brats ultimately fell foul of the crooks and heavies that ran it and an industry that just wasn't ready for them. Directly inspiring the London SS, the Clash, Malcolm McLaren and the Sex Pistols, The Hollywood Brats imploded too soon to share the glory. Punk's answer to Withnail and I, Sick On You is a startling, funny and brilliantly entertaining period memoir about never quite achieving success, despite flying so close to greatness."

Millions of people have read, discussed, debated, cried, and cheered with Little Bee, a Nigerian refugee girl whose violent and courageous journey​ puts a stunning face on the worldwide refugee crisis​. “Little Bee will blow you away.” —The Washington Post The lives of a sixteen-year-old Nigerian orphan and a well-off British woman collide in this page-turning #1 New York Times bestseller, book club favorite, and “affecting story of human triumph” (The New York Times Book Review) from Chris Cleave, author of Gold and Everyone Brave Is Forgiven. We don’t want to tell you too much about this book. It is a truly special story and we don’t want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn’t. And it’s what happens afterward that is most important. Once you have read it, you’ll want to tell everyone about it. When you do, please don’t tell them what happens either. The magic is in how it unfolds.