In this classic romance bya USA Today–bestselling author, a producer sets out to seduce a married actress with a tabloid-worthy secret. From the moment successful movie producer, Damien Savage, saw talented actress, Kate Darwood, he wanted her! The only problem is—she’s married! But all is not as it seems. Kate’s “husband” is her secret brother and to save their family from scandal, the world must continue to think they’re a couple. But now that handsome stranger Damien seems set on seducing her, suddenly innocent Kate wants to share all her secrets . . . Originally published in 1979

“The Pass” was Thomas Savage’s first novel, written by the iconic Western novelist in the 1930s and originally published by Doubleday in 1944. The book, set near Savage’s hometown of Dillon, Montana, takes place around 1910 when the area is newly settled. The railroad is on its way, bringing all that civilization has to offer to a remote valley, changing it forever. New rancher Jess Bentley struggles against the elements, against fate, and against all odds to run a successful outfit that will be suitable for his beloved new bride, Beth, and the baby the doctor warned them they would never see. Read about the life and times of author Thomas Savage in the Winter 2008 edition of “Montana: The Magazine of Western History”.

Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.

John Jakes, #1 New York Times bestselling author of such acclaimed historical novels as North and South and The Kent Family Chronicles compiled in one volume a century's worth of his favorite American Western fiction. To illustrate the evolution of the genre, Jakes has included such legendary authors as Owen Wister, Louis L'Amour, and Zane Grey along side their more contemporary peers such as Loren Estleman and Elmer Kelton. While the stories have changed over the years, certain timeless themes of Western fiction remain constant. At the heart of the stories are ideas that have become synonymous with the American dream--the frontier spirit, individual freedoms, and man's relationship with the land. A Century of Great Western Stories is essentially a retrospective of western writing over the past century, but Jakes also sets out to give readers a glimpse of what the future might hold for western fiction. While trends in publishing might not always be promising, the current crop of contemporary Western authors show that the old west will always have a place in the world of fiction. Like the American dream which it celebrates, Western fiction will persevere. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Henry Tyndall was a typical product of the Victorian age—an intensely patriotic army officer who served in India, on the North-West Frontier, on the Western Front and in East Africa at the height of the British empire. For 20 years, from 1895 to 1915, he kept a detailed diary that gives a vivid insight into his daily life and concerns, his fellow officers and men, and the British army of his day. He also left a graphic account of his experiences on campaign in the First World War and in the Third Afghan War. B.A. 'Jimmy' James has edited and annotated Tyndall's diary in order to make it fully accessible to the modern reader. As he notes in his introduction, 'this marching soldier of the queen was a gallant officer who conscientiously served his sovereign wherever duty called ... his diary deserves attention as it reflects the manners, customs and attitudes of this vanished age.' "