At the dawn of the twentieth century, observers heralded a new era of social progress, seemingly limitless technological advances, and world peace. But within only a few years, the world was perched on the brink of war, revolution, and human misery on an unprecedented scale. Is it possible that today, in the early twenty-first century, we are on the verge of similar, tumultuous times? Blending a detailed knowledge of international security affairs with history, philosophy, psychology, and literature, Thérèse Delpech vividly reminds us of the signs and warnings that were missed as the "civilized" world failed to prevent both world wars, the Holocaust, Soviet death camps, and Cambodian killing fields that made the twentieth century so deadly. Drawing a parallel between 1905 and 2005, Delpech warns that it could happen again in this current era of increasing international violence and global lawlessness. She looks ahead to imagine various scenarios and regions that could become flashpoints in the future. Winner of the 2005 Prix Femina de l'essai. Praise for the original French edition, L'Ensauvagement "One doesn't know what to admire most in this book: the precision of information, the scope of reference, the originality of the approach?" —Le Nouvel Observateur "From Iranian nuclear ambitions to the Taiwan question, Delpech reviews all the situations which might lead mankind to succumb to the perennial temptation of savagery—a passionate and lucid book." —L'argus de la presse "L'ensauvagement transcends its surface content, articulating great hope that our reason and will might take hold and overcome unreason." —Politique étrangère "Combining introspection and prediction, geopolitics and philosophy, Thérèse Delpech has issued a warning cry." —Politique Internationale

"Illuminating the complex relationships between tribal informants and twentieth-century anthropologists such as Boas, Parker, and Fenton, who came to their communities to collect stories and artifacts"--Provided by publisher.

This is the first time most of these cover paintings have been collected and reproduced in their original form. Uncensored genre art that splashed the covers of American news stand pulp magazines in the 1930s and 40s frequently expressed male violence. "Savage Art" showcases this popular period illustration - that prefigured and helped create the violent visual language in much of today's aboveground cinema ("Pulp Fiction", "Kill Bill"), comic books ("The Dark Knight Returns", "Sin City") and ultra-violent multi-million copy video games ("Grand Theft Auto", and "Metal Gear Solid"). Featuring the original disturbing paintings by Walter Baumhofer, Rafael de Soto, Jerome Rozen and other pulp illustrators, many shown here for the first time, this lavishly-produced full colour collection documents Depression era masculine aggression as depicted on the covers of popular literature.

A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.

The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.

"In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants that has yet to come to a real conclusion. A century later - 1951 - and about a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a "nuclear testing program" but functioned as a war against the land and people of the Great Basin."--

In his illuminating, well-researched book examining the site of Et-Tell, also known as Bethsaida, Carl E. Savage explores archaeological evidence to offer readers a portrait of the religious beliefs and practices of the community living near the north shore of the Sea of Galilee during the first century CE. In the study of the cultural and social matrix of the first century in the Galilee, scholars have commonly prioritized written sources over archaeological evidence because written sources seem to contribute more directly to an understanding of the religious beliefs and practices of a community. However, there exist many competing views of the landscape during that time due to the varying interpretations of the textual sources. Using archaeological data from Bethsaida itself, Savage investigates the material practices of Bethsaida's ancient inhabitants, describing these practices as significant indicators of their sense of place both ideologically and geographically. He evaluates the historical plausibility of various social reconstructions for the region, and finds that the image that emerges of first-century Bethsaida is one similar to those of other Jewish communities in the Galilee.