Ponder questions of the united monarchy under Saul and David in light of current historical and archaeological evidence Reconstructing the emergence of the Israelite monarchy involves interpreting historical research, approaching questions of ancient state formation, synthesizing archaeological research from sites in the southern Levant, and reexamining the biblical traditions of the early monarchy embedded in the books of Samuel and Kings. Integrating these approaches allows for a nuanced and differentiated picture of one of the most crucial periods in the history of ancient Israel. Rather than attempting to harmonize archaeological data and biblical texts or to supplement the respective approach by integrating only a portion of data stemming from the other, both perspectives come into their own in this volume presenting the results of an interdisciplinary Tübingen–Tel Aviv Research Colloquium. Features: Essays on Israel's monarchy by experts in biblical archaeology and biblical studies Methods for integrating archaeology and biblical traditions in reconstructing ancient Israel's history New research on the sociopolitical process of state formation in Israel and Judah

"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.

A groundbreaking new account of the writing of the Hebrew Bible Who wrote the Bible? Its books have no bylines. Tradition long identified Moses as the author of the Pentateuch, with Ezra as editor. Ancient readers also suggested that David wrote the psalms and Solomon wrote Proverbs and Qohelet. Although the Hebrew Bible rarely speaks of its authors, people have been fascinated by the question of its authorship since ancient times. In Who Really Wrote the Bible, William Schniedewind offers a bold new answer: the Bible was not written by a single author, or by a series of single authors, but by communities of scribes. The Bible does not name its authors because authorship itself was an idea enshrined in a later era by the ancient Greeks. In the pre-Hellenistic world of ancient Near Eastern literature, books were produced, preserved, and passed on by scribal communities. Schniedewind draws on ancient inscriptions, archaeology, and anthropology, as well as a close reading of the biblical text itself, to trace the communal origin of biblical literature. Scribes were educated through apprenticeship rather than in schools. The prophet Isaiah, for example, has his “disciples”; Elisha has his “apprentice.” This mode of learning emphasized the need to pass along the traditions of a community of practice rather than to individuate and invent. Schniedewind shows that it is anachronistic to impose our ideas about individual authorship and authors on the writing of the Bible. Ancient Israelites didn’t live in books, he writes, but along dusty highways and byways. Who Really Wrote the Bible describes how scribes and their apprentices actually worked in ancient Jerusalem and Judah.

An exegetical and diachronic survey of messianic texts from the Hebrew Bible and Jewish tradition up through the first millennium CE. Jewish messianism can be traced back to the emerging Kingdom of Judah in the tenth century BCE, when it was represented by the Davidic tradition and the promise of a future heir to David’s throne. From that point, it remained an important facet of Israelite faith, as evidenced by its frequent recurrence in the Hebrew Bible and other early Jewish texts. In preexilic texts, the expectation is for an earthly king—a son of David with certain ethical qualities—whereas from the exile onward there is a transition to a pluriform messianism, often with utopic traits. Warrior, King, Servant, Savior is an exegetical and diachronic study of messianism in these texts that maintains close dialogue with relevant historical research and archaeological insights. Internationally respected biblical scholar Torleif Elgvin recounts the development and impact of messianism, from ancient Israel through the Hasmonean era and the rabbinic period, with rich chapters exploring messianic expectations in the Northern Kingdom, postexilic Judah, and Qumran, among other contexts. For this multifaceted topic—of marked interest to Jews, Christians, and secular historians of religion alike—Elgvin’s handbook is the essential and definitive guide.

Analyses the poetic audiences of the book of Amos by distinguishing the textual addressee from its actual audiences.

The book of Samuel tells the story of the origins of kingship in Israel in what seems to be an artistically structured, flowing narrative. Yet it is also marked by an inconsistent outlook, divergent styles, and breaks in the narrative. According to Noth’s Deuteronomistic History hypothesis, the Deuteronomistic historian constructed the narrative by piecing together early sources and generally refrained from commenting in his own voice. Recent studies have called into question the extent of Samuel’s sources and their redaction history, as well as the textual growth of the book as a whole. The essays in this book, representing the latest scholarship on this subject, reexamine whether the book of Samuel was ever part of a Deuteronomistic History. The contributors are A. Graeme Auld, Hannes Bezzel, Philip R. Davies, Walter Dietrich, Cynthia Edenburg, Jeremy M. Hutton, Jürg Hutzli, Ernst Axel Knauf, Reinhard Müller, Richard D. Nelson, Christophe Nihan, K. L. Noll, Juha Pakkala, and Jacques Vermeylen.