"Based on original ideas by Johanna Allitt, Simin Curtis, Michael Fidler and Charlotte Mann."

Based on a story in the Weekly World News, this is a musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia.

The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A darkly comic, modern parable of exile, belief, belonging and judgment, Footprints on water is about Noel, a religious zealot who is building an ark, so that when God destroys his morally corrupt village, Noel as self-appointed chosen one, will start the world again. When the flood comes, Noel finds himself trapped by his faith.

The one-liners fly like rockets in THE NEW CENTURY, the rollicking bill of short plays by Paul Rudnick...Building on time-honored traditions within gay and Jewish humor, Mr. Rudnick turns stereotypes into bullet-deflecting armor and jokes into an inexhaust Compelling drama...deliriously entertaining. --The New Yorker. Hilarious...raw and revealing. --EdgeNewYork.com. Playwright Jason Chimonides' script abounds with witty remarks, dirty allusions, and random tangents where high art and popular culture collide

The marriage of Rupert and Sarah is on the rocks and their friends Charles and Madge, both of whom are lawyers, agree to handle the divorce. After the curtain has been up a few minutes, Rupert forgets his lines, has a brain storm and threatens to kill Charles in full view of the audience because he's been having an affair off stage, with Rupert's real wife, Madge. Quite true as it happens. The rest of the cast try to ignore the incident and forge ahead with the original play but Rupert picks up a knife and advances on Charles, who is forced to take cover in a large cabin trunk which is on the set at the time. A real life marital comedy now evolves. The situation is further complicated when the actor playing the old father, Edward, makes his entrance. He is ageing Shakspearean star, once famous for his King Lear but now an alcoholic on the skids. He happens to have asked his new agent to the performance that night. Edward is blissfully unaware that the play has switched from art to life. Out of loyalty to a fellow actor, the rest of the cast do their best to accommodate the poor chap, but he gradually begins to crack up, especially as some of his cues are coming from a cabin trunk. The play is a light hearted tilt at the complete theatricality of stage folk.