Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

This book, written by the celebrated nineteenth century French economist propagating free trade, reads as it was written yesterday.

" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.

"With its undulating body, I, CAUSTIC reproduces the twopronged movement that testifies to the continuing relevance of Khaïr-Eddine's writing: destruction and reconstruction, annihilation and regeneration, death and revival."--Khalid Lyamlahy (from the Postface) "Khaïr-Eddine's corroded lyric I spews the detritus of autocratic narcissism in this absurdist takedown of its patriarchs: the king and his advisors, military and police officers, husbands, fathers, older brothers. In the wake of the Moroccan student and worker uprising of March 23, 1965, which emboldened both government repression and popular movements for democracy, the characters ponder the irony of revolution when everyone has coopted its rhetoric and wonder whether the socalled dregs of society--sexworkers, abandoned children, unemployed laborers--can rise up to prevent a nuclear Arab apocalypse. Yet from the King's privy in Rabat to a coastal town in southern Morocco, humanity's inhumanity is just one force of nature among so many others: what's the point of all this trouble when you'll end up a maggot-eaten corpse? Syersak's energizing translation delivers into English all the poet's acerbic humor and idiomatic exuberance. You'll laugh so hard your inner hyena will come out. Is your blood boiling yet?"--Teresa VillaIgnacio "Khaïr-Eddine's excoriating satire of independent Morocco, written in the first decade of Hassan II's rule, from the remove of voluntary exile in France, performs a devastating critique of the violence of the ruling class, the incompetence of government, the hypocrisy of organized religion, and the stubborn presence of police brutality, even as it fashions radically new modes of literary and poetic expression. Sometimes crude, even grotesque, often brilliantly seductive, irreligious, and funny, Jake Syersak's bold translation into English breathes new life into this important and toolong neglected work of modern Moroccan literature."--Thomas C. Connolly, Department of French, Yale University Poetry. Hybrid. Middle Eastern Studies.