"Quintus Caecilius Metellus Celer, a relative of Decius and his family and the head of a powerful political clan, has been poisoned, and his infamous wife Clodia is immediately suspected of disposing of her rather inconvenient husband. Not entirely convinced of Clodia's guilt, Decius delves into the intricacies of Rome's ruling class and discovers that a clandestine, forbidden witches' cult is inextricably intertwined with some very highborn people. A trial for Clodia would be most unwelcome, as it could bring to light some well-kept secrets. To get to the bottom of the corruption that accompanies the intoxicating allure of this ancient city, Decius must form an uneasy alliance with Clodius, Clodia's brother and his sworn enemy, and be extremely careful not to step on any toes."--BOOK JACKET.

"A heady mix of the most terrifying elements of our troubled past and inevitable future; an eerie, propulsive novel." --Carmen Maria Machado The Saturnalia carnival marks three years since Nina walked away from Philadelphia's elite Saturn Club--with its genteel debauchery, arcane pecking order, and winking interest in alchemy and the occult. In doing so, she abandoned her closest friends and her chance to climb the social ladder. Since then, she's eked out a living by telling fortunes with her Saturn Club tarot deck, a solemn initiation gift that Nina always considered a gag but has turned out to be more useful than she could have ever imagined. For most, the Saturnalia carnival marks a brief winter reprieve for the beleaguered people of the historic city, which is being eroded by extreme weather, a collapsing economy, and feverish summers--whose disease carrying mosquitos are perhaps the only thing one can count on. Like Thanksgiving or Halloween, Saturnalia has become a purely American holiday despite its pagan roots; and nearly everyone, rich or poor, forgets their troubles for a moment. For Nina, Saturnalia is simply a cruel reminder of the night that changed everything for her. But when she gets a chance call from Max, one of the Saturn Club's best-connected members and her last remaining friend, the favor he asks will plunge her back into the Club's wild solstice masquerade, on a mysterious errand she cannot say no to. Tonight, Nina will put on a dress of blackest black, and attend the biggest party of the year. Before it's over, she will discover secret societies battling for power in an increasingly precarious world and become custodian of a horrifying secret--and the target of a mysterious hunter. As Nina runs across an alternate Philadelphia balanced on a knife's edge between celebration and catastrophe, through parades, worship houses, museums, hidden mansions, and the place she once called home, she's forced to confront her past in order to take charge of her own--and perhaps everyone's--future.

It’s 76 A.D. during the reign of Vespasian and the Roman festival of Saturnalia is getting underway. The days are short; the nights are for wild parties. But not for “informer” Marcus Didius Falco. His job is to uncover unwelcome truths and deal with sensitive situations, frequently at the behest of the imperial government. So when a general’s famous female conquest escapes from house arrest—leaving a horrendous murder in her wake—Falco is on the case. If finding a fugitive isn’t enough of a Zeus-like headache, Falco’s wife Helena Justina’s brother has also gone missing. Against the riotous backdrop of the season of misrule and merriment, the search seems impossible. And Falco seems to be the only one who notices that some dark agency is bringing death to the city streets…

In The Learned Banqueters, Athenaeus describes a series of dinner parties at which the guests quote extensively from Greek literature. The work (which dates to the very end of the second century CE) is amusing reading and of extraordinary value as a treasury of quotations from works now lost. Athenaeus also preserves a wide range of information about different cuisines and foodstuffs, the music and entertainments that ornamented banquets, and the intellectual talk that was the heart of Greek conviviality. S. Douglas Olson has undertaken to produce a complete new edition of the work, replacing the previous Loeb Athenaeus (published under the title Deipnosophists).

The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.