"Saturday's Child" by using Kathleen Thompson Norris is a charming novel that weaves a story of affection, sacrifice, and resilience towards the backdrop of early 20th-century America. The narrative follows the existence of Judith Traherne, born on a Saturday, and explores the demanding situations she faces as she navigates the complexities of family, relationships, and societal expectations. Judith's adventure unfolds with a rich tapestry of characters and activities, showcasing the writer's keen knowledge of human nature. As she matures from a younger and idealistic girl right into a woman confronting the realities of adulthood, readers witness her trials and triumphs. The novel delves into issues of self-discovery, the pursuit of goals, and the iconic electricity of love. Kathleen Thompson Norris, a prolific American author acknowledged for her insightful portrayals of cutting-edge lifestyles, crafts a story that resonates with authenticity and emotional depth. Through "Saturday's Child," she invitations readers to mirror on the generic demanding situations of growing up and finding one's region within the world. The novel is a poignant exploration of the human experience, full of moments of joy, heartbreak, and the indomitable spirit of the protagonist.

R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the ‘absent God’, his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the ‘new physics’, and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the ‘classic’ Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas’s great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.

Ellen Fairclough is perhaps best known as the first woman in Canada to become a federal cabinet minister. John Diefenbaker appointed her Secretary of State in 1957. In the course of her career she also served as Minister of Citizenship and Immigration and Minister responsible for Indian Affairs, and was in charge of the National Gallery, the National Film Board, the Dominion Archives, and the National Library. She was also a chartered accountant, a business woman, a local politician in Hamilton, and a wife and mother. At a time when many people believed that a woman's place was in the home, she successfully balanced family obligations with a career in the largely male world of federal politics. Writing with the style and wit for which she was famous as a politician, Ellen Fairclough, now ninety, tells her story. Her reminiscences describe her early life, her efforts to become a business woman, and her experiences as a Progressive Conservative member for the constituency of Hamilton West (1950-63). Fairclough discusses the political factors that led to her appointment to the Diefenbaker cabinet, as well as other factors, including family values and the opportunities available in the bustling industrial city of Hamilton, that served as the context for her successes. While her story focuses on the politics involved, Fairclough also writes extensively about family life, friendships, and domestic detail. She attributes her success to the fact that she was a 'Saturday's child' who worked hard for what she achieved. The source of much media attention during her political career, Ellen Fairclough was often the only woman in a room full of men and, on one occasion, was asked to leave a cabinet meeting because the topic of discussion – sexual assault – might be too rough for her sensitive ears. Having no female role models to follow, Fairclough made her own rules and charted her own course. These memoirs make a fascinating contribution to the history of women and politics in this country.

Rusty Reynolds, an ex-B-grade western movie star, arrives in Tucson, Arizona, nearly broke and no prospects. Chuck Baxter, a ruthless land developer, hires Rusty at low wages to promote the Bar M Ranch, a remote desert subdivision. While Baxter schemes to relieve eastern retirees of their money, Rusty finds a way to relieve Baxter of some of his ill-gotten profits. When Baxter discovers that Rusty's revenge includes the stealing of his wife the plot turns deadly. When Baxter, in a failed attempt on Rusty's life, accidentally kills one of Rusty's Friends, Rusty gets even by entering the race for the U.S. Senate against Baxter. Although running as a stalking horse, Rusty proves to be an adept politician. Does Rusty get the girl? Does he win a seat in the U.S. Senate? Does he ride off into the sunset? Saturday's Cowboy is an irresistible page-turned replete with exciting subplots and a colorful supporting cast. If the plot of Saturday's Cowboy reminds you of a Tim Holt or Clint Eastwood western, the effect is intentional.