What does living for Jesus look like in the everyday stuff of life? Many Christians have unwittingly embraced the idea that “church” is a once-a-week event rather than a community of Spirit-empowered people; that “ministry” is what pastors do on Sundays rather than the 24/7 calling of all believers; and that “discipleship” is a program rather than the normal state of every follower of Jesus. Drawing on his experience as a pastor and church planter, Jeff Vanderstelt wants us to see that there’s more—much more—to the Christian life than sitting in a pew once a week. God has called his people to something bigger: a view of the Christian life that encompasses the ordinary, the extraordinary, and everything in between. Packed full of biblical teaching, compelling stories, and real-world advice, this book will remind you that Jesus is filling the world with his presence through the everyday lives of everyday people... People just like you.

Whether you're just beginning a relationship with Jesus or you've been a follower of Jesus for a long while, many of us have a hard time translating the truths we believe in our mind, to the reality of our everyday life. Given our tendency to wander away from God, we need both encouragement and tools to keep the gospel at the center of our action in the everyday stuff of our lives. This 8-week guide offers an all-of-life approach to being disciples who make disciples of Jesus. The questions, activities, prayers, and exercises will prompt you to do exactly that-put your thoughts and theology into hands-on practice. Designed for both group and individual use, each week will build on the next, aligning your heart with the will of God, examining your core identity beliefs, and launching you into mission. When God's people commit together to sow gospel seeds in the everyday rhythms of life, a ripple effect moves through our lives, out toward the whole earth, saturating it with the good news of Jesus.

Essays, conversations, and artist portfolios confront questions at the intersection of race, institutional life, and representation. Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation. The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity. Copublished with the New Museum

flu·en·cy / noun :the ability to speak a language easily and effectively Even if they want to, many Christians find it hard to talk to others about Jesus. Is it possible this difficulty is because we're trying to speak a language we haven't actually spent time practicing? To become fluent in a new language, you must immerse yourself in it until you actually start to think about life through it. Becoming fluent in the gospel happens the same way—after believing it, we have to intentionally rehearse it (to ourselves and to others) and immerse ourselves in its truths. Only then will we start to see how everything in our lives, from the mundane to the magnificent, is transformed by the hope of the gospel.

Learn how to focus your creative energy to make things—and make things happen. In this blend of memoir and hardworking handbook, creativity and craft maven Amy Tangerine shows how to find your flow, maintain a positive mindset, and cultivate a rich and fulfilling life by focusing on what truly matters and implementing small yet powerful changes. Chapters explore how to craft the soul, craft the right mindset, craft the right environment, craft good habits, rediscover your creative mojo, and maintain momentum, with each section offering exercises for taking your creative practice to the next level. For anyone who has felt disconnected from their creativity or has had trouble saving a space for their passions, Craft a Life You Love will teach you how to make time for creativity each and every day.

Bringing together media studies and environmental humanities, the contributors to Saturation develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism's saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, Saturation illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other. Contributors. Marija Cetinić, Jeff Diamanti, Bishnupriya Ghosh, Lisa Yin Han, Stefan Helmreich, Mél Hogan, Melody Jue, Rahul Mukherjee, Max Ritts, Rafico Ruiz, Bhaskar Sarkar, John Shiga, Avery Slater, Janet Walker, Joanna Zylinska

Literary Nonfiction. "The genre-defying genius of SATURATION PROJECT brings memoir and essay to the land of myth. Here, the wildness of what we experience, that which cannot be controlled but controls nonetheless, finds expression through etherealizing and visceral saturations of the body: a feral, humming, windswept girlhood mapped with uncharted brilliance."--Claudia Rankine "Christine Hume tells of that hum neither utterance nor song that is so inside us and that hum that is everywhere in crowds, in industry, in nature. She tells of wind, unconstrained force, in which we exist, stand and advance. A child, lost or abandoned, is nurtured by a bear in Greece, in India, in Azerbaijan, in Champagne, in Kansas. Christine Hume tells her daughter she is that child, and she sees her daughter being nurtured by another species. So many profound and surface things Christine Hume brings close to us with her so crystal words so luminous with thought."--Alphonso Lingis