The sky was wide with Han Yue, it was the love of a swallow in the mortal world.Although the swallow is small, it also has precious feelings.Du Weizhao, who had been reincarnated in a butcher's home, had the love of his parents. Her biggest wish was to marry a good man, pay respect to her parents, and live a normal life.However, fate was always hard to understand. She was brought to the palace as a reading companion for the princess, but she heard the Emperor say to her, "I am the Father!"Don't blame me for saying that entering the palace is not my own body. Not only must I change my name, I must also change my father! Mothers! Change mother!Not only did the emperor's father want to recognize her as his daughter, he even wanted to pass on the throne to her!

The vast universe, endless stars; each of the most dazzling stars represented one of the supreme elders of the Spirit Martial Continent. It was rumored that the most powerful spirit cultivator in the Spirit Martial Continent could fuse the six stars in the sky and become immortal. Song of the Wind: What are six stars? I want to fuse seven stars to form the Big Dipper Astral Soul. I want to reach the heavens and look down at the heavens! This book's grade of martial arts: Martial Disciple, Martial Grand Master, Martial Grand Master, Martial Spirit, Martial King, Martial King, Martial Saint, Martial Saint, Martial Emperor, and Martial God.

Such is the voice of Shan Sa's unforgettable heroine in her latest literary masterpiece, Empress. Empress Wu, one of China's most controversial figures, was its first and only female emperor, who emerged in the seventh century during the great Tang Dynasty and ushered in a golden age. Throughout history, her name has been defamed and her story distorted by those taking vengeance on a woman who dared to become emperor. But now, for the first time in thirteen centuries, Empress Wu (or Heavenlight, as we come to know her) flings open the gates of the Forbidden City and tells her own astonishing tale—revealing a fascinating, complex figure who in many ways remains modern to this day. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world. Empress is a great literary feat and a revelation for the ages.

Yi Hao was originally a peerless expert of the Everlasting Continent, but he was schemed to death by disciple Gong Yangjun. A thousand years after his rebirth, Gong Yangjun dominated the mainland. In this life, I will change my fate and take back what belongs to me!

The story chronicles Wu Zhao's humble beginnings as the daughter of a provincial official and follows her path to the inner palace, where she improbably rose from a fifth-ranked concubine to emperor. Using Buddhist rhetoric, architecture, court rituals, and a network of "cruel officials" to cow her many opponents in court, Wu Zhao inaugurated a new dynasty in 690, the Zhou. She ruled as emperor for fifteen years, proving eminently competent in the art of governance, balancing factions in court, staving off the encroachment of Turks and Tibetans, and fostering the state's economic growth.

Winner of the Pulitzer Prize and a documentary from Ken Burns on PBS, this New York Times bestseller is “an extraordinary achievement” (The New Yorker)—a magnificent, profoundly humane “biography” of cancer—from its first documented appearances thousands of years ago through the epic battles in the twentieth century to cure, control, and conquer it to a radical new understanding of its essence. Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist’s precision, a historian’s perspective, and a biographer’s passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with—and perished from—for more than five thousand years. The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out “war against cancer.” The book reads like a literary thriller with cancer as the protagonist. Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.

The Lord of Perfect Satisfaction (Ruyijun zhuan), a short work of fiction from the early sixteenth century, tells the story of the Tang dynasty's notorious Wu Zetian, the only woman to rule as emperor of China. It is famous not for the history it relates, but for its graphic sexual descriptions--the first ever in a Chinese novel--purportedly given from a woman's point of view. Despite its renown and unmistakable influence on later writing, the origins and significance of the Ruyijun zhuan have never been explored, in any language, and until now it has never been translated. Its date of composition is unknown, its author unidentified. One of its earliest appraisals, written by a contemporary scholar known for his conservatism, maintains that the Ruyijun zhuan is a moral work notwithstanding its sexual content. Combining a complete translation with a detailed and far-ranging study of the text, The Fountainhead of Chinese Erotica places this important cultural document into historical context and offers possibilities on its meaning.